G. T. Stilwell's letter to Mrs Shelverton 1977

G. T. STILWELL, Special Colections, Allport Library Tasmania
Mrs SHELVERTON, grand daughter of photographer T. J. NEVIN and Elizabeth Rachel (Day) NEVIN
EXHIBITION of convict photographs 1870s taken by T. J. NEVIN, QVMAG Launceston, 1977

Preparations began in early 1977 for the Queen Victoria Museum and Art Gallery's exhibition of Thomas J. Nevin's photographs of Tasmanian prisoners taken for police and prison records in the 1870s which were (re)discovered among their John Watt Beattie holdings which were acquired by the QVMAG from Beattie's estate on his death in 1930.

Geoff Stilwell

Geoffrey Stilwell, Special Collections Librarian
Allport Library, State Library of Tasmania
Mercury photo 1990

The late Geoffrey Stilwell, curator of Special Collections at the State Library of Tasmania, collected biographical data on professional photographer Thomas J. Nevin (1842-1923) from a diverse range of sources, including information from Mrs Jean Shelverton, a grand-daughter of Thomas and Elizabeth Rachel (Day) Nevin. Mrs Shelverton's mother Mary Ann (Nevin) Drew who was known as Minnie to living descendants,was the second daughter and fifth child (to survive), born to photographer Thomas and Elizabeth Nevin on November 9th, 1884, in Hobart, Tasmania.

GT Stilwell letter 1977

G.T. Stilwell's letter to Mrs Shelverton, 25 February 1977
Courtesy of the State Library of Tasmania

TRANSCRIPT
Dear Mrs Shelverton

Miss Beatrice Kelly suggested I write to you. I understand from her that you are a descendant of Thomas J. Nevin the photographer who succeeded to Alfred Bock's practice in the late 1860s. The Queen Victoria Museum has a large number of photographs by Nevin of the convicts at Port Arthur taken in the early 'seventies. They are soon to display these and are keen to have biographical information about the photographer. I wonder if you could tell me anything about him such as where he was born and when, when he came to Australia, did he come straight to Tasmania, had he any previous photographic training, where and when and to whom he was married and when and where he died. I am sorry to ask so many questions but there is now a great interest in our early photographers and it is important these details be recorded.

Yours sincerely,
(G.T.S.) initials
G.T. Stilwell
LIBRARIAN, SPECIAL COLLECTIONS
GTS/DMM
Mrs Shelverton provided information in answer to these questions from documents passed down from Thomas J. Nevin's estate to her mother. However, there were many more documents and photographs from the Nevin family estate still untouched in trunks, shoe boxes and garages belonging to the descendants of Thomas and Elizabeth Nevin's other five children who were not aware of the forthcoming exhibitions at the Art Gallery of NSW (1976) and the QVMAG (1977) when the State Library of Tasmania began their research. And there were many more examples of Thomas J. Nevin's "convict portraits" and other examples of his photographic work held in public institutions which were yet to be displayed online at the Tasmanian Museum and Art Gallery, the Archives Office and State Library of Tasmania, the State Library of Victoria, the National Library of Australia and the State Library of NSW, apart from private collections.

A summary document was then prepared by the State Library of Tasmania, using information from shipping records held at the Archives Office of Tasmania (MB2/98) and Mrs Shelverton's information. The information was not correct in the detail of Thomas J. Nevin's date of death (1923, Southern Regional Cemetery burial records).



Biographical information on Thomas Nevin
G.T. Stilwell files, courtesy State Library of Tasmania

The handwritten insertion of Thomas J. Nevin's middle initial "J" (James) appears on this document to indicate its inclusion in his name as it appears on his government contractor stamp. The versos of a number of photographs by Nevin held at the QVMAG and the State Library of NSW Mitchell Collection are stamped with his government stamp signifying his joint copyright under a colonial Royal Warrant. The stamp included his vocational designation "T. J. Nevin Photographic Artist" and the Royal Arms insignia, a stamp he was using by February 1872.

Confusion about Thomas J. Nevin the photographer and his son by the same name - T. J. Nevin jnr (1874-1948) - has arisen in the course of the last thirty years. Thomas and Elizabeth's second child and first-born son, Thomas James Nevin jnr was born in May 1874, his birth registered by Thomas snr's  father-in-law Captain James Day, while Thomas Nevin was away on business at the Port Arthur prison. The date "1874" was transcribed across the versos of several hundred of these Nevin convict photographs by archivists in the early 1900s. Known as "Sonny" to the family, Thomas J. Nevin jnr did not become a photographer. He was listed as a bootmaker on the 1905 electoral rolls, lived in California with his wife Gertrude Tennyson Bates in the 1920s, and joined the Salvation Army in Hobart sometime in the 1940s.



Prisoner SMITH, William per Rodney 3
QVMAG Collection Ref: QM: 1985 P: 131
Photographer: Thomas J. Nevin 1874
Verso stamped with Nevin’s Royal Arms government contractor stamp

In April 1977, Geoffrey Stilwell conveyed the biographical information per Mrs Shelverton to the curator of T. J. Nevin's convict photographs' exhibition at the QVMAG, John McPhee, in this letter:

Stilwell letter to McPhee 1977

Letter to John McPhee, curator, QVMAG, 4 April, 1977.
Courtesy State Library of Tasmania

TRANSCRIPT
Dear Mr McPhee,
At last I have some biographical details about Thomas Nevin though I am afraid these are somewhat late for your exhibition. These were mainly supplied by his granddaughter Mrs Shelverton.

Thomas Nevin was born on 28 August 1842 near Belfast, Northern Ireland (Mrs S[helverton]). He was the son of Private John Nevin and Mary his wife whom he accompanied on the convict ship Fairlie which arrived at Hobart Town in July 1852. John who was one of the guards of this vessel was also accompanied by his other children Mary A. and Rebecca both under fourteen and Will[iam] J under a year old (MB2/98).

The following marriage notice appeared in the Mercury of 14 July 1871.

NEVIN-DAY – On Wednesday, 12th July, at the Wesleyan Chapel, Kangaroo Valley, by the Rev. J. Hutchison [sic], Thomas, eldest son of Mr. J. Nevin, of Kangaroo Valley, to Elizabeth Rachael, eldest daughter of Captain Day, of Hobart Town.

Kangaroo Valley is now know as Lenah Valley. From about 1876 to 1880 he lived at the Town Hall, Hobart as caretaker. Two of his four sons were born at the Town Hall residence. He had in addition two daughters one of whom was Mrs Shelverton’s mother.*

According to Mrs Shelverton he died about 1922, she is not sure of the date, and was buried at Cornelian Bay. The tombstone has now fallen over.

Yours sincerely,
[signed] G.T. STILWELL
Librarian, Special Collections
This was only the beginning of G.T. Stilwell's research. Later in 1977, two more grand daughters of Thomas and Elizabeth Nevin (daughters of their youngest son Albert) visited the exhibition at the QVMAG in Launceston. In 1978, a great grand daughter interviewed G.T. Stilwell at length, providing him with more information, including details about photographic items by the firm Nevin & Smith held in family collections. This greatly respected specialist of Tasmanian colonial collections, G.T. Stilwell, had never any doubt about his conviction of T. J. Nevin's attribution as the photographer of the Tasmanian 'convict portraits' held at the QVMAG, duplicates of which are held at the Tasmanian Museum and Art Gallery and the National Library of Australia, a conviction he later published with Professor Joan Kerr in 1992.

RELATED POSTS main weblog
Updated May 2010

Robert Hughes "The Fatal Shore" with mugshots by T. J. Nevin'

Robert Hughes, cdvs of Tasmanian convicts in The Fatal Shore (1987)
Biography of Thomas J. NEVIN photographer in Joan Kerr (1992)



Prisoner Thomas Harrison per Augusta Jessie 2
Photo by T. J. Nevin, taken at the Hobart Gaol 1875
Archives Office of Tasmania Ref: PH30/1/3252

Thomas HARRISON, Hobart Gaol 1875.
Prisoner Thomas Harrison per Augusta Jessie 2 was photographed by Thomas J. Nevin in the three months between arrival and discharge from the Hobart Gaol, July - October 1875. Information written on the back of this copy held at the Queen Victoria Museum and Art Gallery, Launceston, states the following:
"Thos Harrison Aug Jessie Idle & Disorderly P.O. Sorell. 3 months. July 1875".
The QVMAG copy and verso:



Prisoner Thomas Harrison per Augusta Jessie 2
Photograph by T. J. Nevin Hobart Gaol October 1875
Verso inscription: "Thos Harrison Aug Jessie Idle & Disorderly P.O. Sorell. 3 months. July 1875".
QVMAG:1985_P_0113 and verso accession numbers

POLICE RECORDS
The following extracts from the weekly police gazettes over the decade 1868-1878 show that Thomas Harrison was repeatedly arrested and imprisoned for short periods of three months or less on charges of being idle and disorderly and vagrancy. Thomas Nevin took this photograph, the only extant image, of Thomas Harrison per Augusta Jessie 2 at the Hobart Gaol in the three months prior to the prisoner's discharge on 6th October 1875.

1868:
Thomas Harrison per Augusta Jessie 2 was tried for the offence of vagrancy on 30th January 1872 at Sorell, sentenced to three months and discharged from Sorell in the week ending 22nd April 1868. He was described as 47 years old, native place Liverpool (UK), 5 ft 5 inches tall, with dark brown hair and an impediment in speech. He was free in servitude when arrested.



1874:
Thomas Harrison per Augusta Jessie 2 was tried for the offence of vagrancy on 10th September 1872 at Sorell, sentenced to one month and discharged from Sorell in the week ending 14th October 1874. He was described as 60 years old, native place Liverpool (UK), 5 ft 6 inches tall, with brown hair and an impediment in speech. He was free in servitude when arrested.



1875:
Thomas Harrison per Augusta Jessie 2 was tried for the offence being idle and disorderly on 6th July 1875 at Sorell, sentenced to three months, photographed and discharged from Hobart Town in the week ending 6th October 1875. He was described as 55 years old, native place Liverpool (UK), 5 ft 5½ inches tall, with brown hair and a scar on his forehead above his left eye. He was free in servitude when arrested.



1878:
Thomas Harrison per Augusta Jessie 2 was tried for the offence of vagrancy on 3rd June 1878 at Sorell, sentenced to three months and discharged from Hobart Town in the week ending 4th September 1878. He was described as 56 years old, 5 ft 5½ inches tall, with dark grey hair and a scar on his forehead above his left eye. He was free in servitude when arrested.



Source: Tasmania Reports of Crime Information for Police, James Barnard Gov't printer

As these are the only records for Thomas Harrison per Augusta Jessie 2 which appear in the police gazettes, it is evident this prisoner was by no means violent. His carceral records over the decade 1868-1878 show no major criminal activity, unlike the company he joined on the page of prisoners (below) published in Robert Hughes The Fatal Shore (1987).

The QVMAG Exhibition 1977
T. J. Nevin's mugshot of Thomas Harrison per Augusta Jessie 2 was printed on the postcard to advertise the exhibition of T. J. Nevin's convict photographs at the Queen Victoria Museum and Art Gallery in 1977, curated by John McPhee. Of the more than 100 photographs of Tasmanian prisoners which were sourced from the Beattie Collection at the QVMAG for exhibition, why the curator John McPhee chose this particular prisoner's photograph is strange, since it is not typical of the majority of Nevin's prisoner identification photographs taken from his first contract in 1872 to the mid-1880s. The majority of mugshots taken by him in those years demonstrate the commercial studio techniques of carte-de-visite portraiture. Possibly this cdv of Thomas Harrison was chosen because of his defiant stare and tattered clothes, signifiers of desperation and social deviance. He was not a violent prisoner, as the police gazettes record show.

The same photograph of prisoner Thomas Harrison per ship Augusta Jessie 2 appeared again in Joan Kerr and G. Stilwell's short biographical entry for Thomas J. Nevin in the Dictionary of Australian artists : painters, sketchers, photographers and engravers to 1870 (ed) Joan Kerr (1992:568). The convict is given the name "Thomas Harrison" and the provenance is given as the Queen Victoria Museum and Art Gallery. The Archives Office of Tasmania in Hobart holds a paper copy made around the same time as the 1978 QVMAG exhibition when originals and copies of these cartes-de-visite of 1870s prisoners were circulated to other public collections from the Queen Victoria Museum and Art Gallery, viz. the Archives Office of Tasmania, Hobart; the National Library of Australia, Canberra; the Port Arthur Historic Site, Tasman Peninsula; and the Tasmanian Museum and Art Gallery, Hobart, for exhibitions in the 1980s-1990s:



Above: biographical entry for Thomas Nevin in Joan Kerr (ed, 1992:568)
Prisoner photograph of Thomas Harrison with T. J. Nevin attribution.
Photo copyright © KLW NFC Imprint 2010.

Thomas J. Nevin produced at least four duplicates of a single capture on glass in each sitting with a prisoner which were distributed to regional stations when the prisoner was discharged. The AOT copy of this same photograph of Thomas Harrison does not name him for some reason. His photograph is captioned:
"Convict unidentified - photograph taken at Port Arthur by Thomas Nevin" :



Prisoner Thomas Harrison per Augusta Jessie 2.
Photographed by Thomas Nevin at the Hobart Gaol 1875
Archives Office of Tasmania AOT Ref: PH30/1/3252

"The Fatal Shore" (1987)
Robert Hughes' book The Fatal Shore (1987) includes several prisoner identification photographs taken by Thomas J. Nevin for the Hobart Municipal Police Office, Town Hall, and Hobart Gaol photo books which Hughes' publishers sourced from the Archives Office of Tasmania. No accreditation was made to the photographer Thomas Nevin. This page includes Nevin's photographs (from top left to bottom right) of prisoners George Willis, James Merchant, Michael Harrigan, Thomas Jackson, Charles Clifford, Joseph Grahame, William Burley and Thomas Harrison.



Tasmanian prisoner mugshots, 1870s
Taken by Thomas J. Nevin, Hobart Gaol
Photographs published in The Fatal Shore, p. 450

Robert Hughes states in his Introduction to The Fatal Shore (Harvill 1987).
"The idea for this book occurred to me in 1974, when I was working on a series of television documentaries about Australian art. On location in Port Arthur, among the ruins of the great penitentiary and its out-buildings, I realized that like nearly all other Australians I knew little about the convict past of my country. I grew up with a skimpy sense of colonial Australia.

Convict history was ignored in schools and little taught in universities - indeed, the idea that the convicts might have a history worth telling was foreign to Australians in the 1950s and 1960s.

Even in the mid-1970s only one general history of the System (as transportation, assignment and secondary punishment in colonial Australia were loosely called) was in print: A.G.L. Shaw's pioneering study Convicts and the Colonies.

An unstated bias rooted deep in Australian life seemed to wish that "real" Australian history had begun with Australian respectability - with the flood of money from gold and wool, the opening of the continent, the creation of an Australian middle class.

Behind the diorama of Australia Felix lurked the convicts, some 160,000 of them, clanking their fetters in the penumbral darkness. But on the feelings and experiences of these men and women, little was written. They were statistics, absences and finally embarrassments."
From © Introduction, Robert Hughes The Fatal Shore Collins Harvill hardback edition 1987

Archives Office of Tasmania convict photographs by T. J. Nevin

PUBLIC COLLECTIONS 1870s Tasmanian prisoner mugshots
GOVERNMENT CONTRACTOR photographer T. J. NEVIN
DISPERSAL and SUPPRESSION of archival records

The Archives Office of Tasmania collection
Online until recently, the Archives Office of Tasmania digitized and displayed 92 copies of the carte-de-visite photographs of Tasmanian convicts held at the Queen Victoria Museum and Art Gallery, originals of which which were exhibited at the QVMAG in the 1970s as the work of Thomas J. Nevin.

Webshots show the online records were captioned "Photograph taken at Port Arthur by Thomas Nevin" (see below) and some were dated 1874 or earlier. In fact, few were taken at Port Arthur, and many were taken over a period of years in the 1870s - 1880s. The date and place of the AOT caption reflects the error about Port Arthur as the place where all of these photographs were taken, made by an archivist in the early 1900s, probably by Edward Searle while working in John Watt Beattie at his museum and studio in Hobart between 1911-1916 where three panels of forty prisoner mugshots were offered for sale, among other convict memorabilia. Similarly, the date "1874" does not reflect actual judicial events in the prisoner's criminal career, i.e. whether he was photographed on sentencing, incarceration or discharge. The photographer attribution to Thomas J. Nevin, however, was and still is correct.

The majority - but not all - of the collection of Tasmanian prisoner photographs taken in the 1870s held at the Archives Office of Tasmania are black and white paper copies reproduced ca. 1985 from original cdvs held in the collection at the Queen Victoria Museum and Art Gallery.


See these webshots at TROVE (NLA) - and at Flickr

Or click on each of the three panels below.





Archives Office of Tasmania 2005
Webshots of 1870s Tasmanian prisoners by T. J. Nevin

Police gazette records
The colonial Government of Tasmania had adopted the practice of taking identification photographs and establishing an Habitual Criminals Register or Rogue's Gallery in 1872 from precedents set by the British Prevention of Crimes Act of 1871, and incoming legislation in NSW and Victoria in 1872. The extant photographs are "mugshots" taken of men who were arrested, arraigned, sentenced, reconvicted and/or discharged during the 1870s and early 1880s. For the most part these prisoners were recidivists, habitual criminals and repeat offenders. Thomas Nevin took the majority of these photographs at the Municipal Police Office (PO on their criminal record sheets) at the Hobart Town Hall, and at the Supreme Court and Hobart Town Gaol. The AOT records (above) were copied from the QVMAG collection in the 1970s, although some originals were acquired in the 1950s from the Radcliffe Museum at Port Arthur via the Department of National Parks which managed the site. The original 1870s - 1880s prisoner photographs - both paper prints and mounted as cartes-de-visite - were salvaged by John Watt Beattie for reproduction and for sale to tourists at his convictaria museum in Hobart, removing many from their original record in the process. Others were sourced from records originally held at the Town Hall Municipal Police Office and from records held at the Sheriff's Office, Hobart Gaol. Beattie bequeathed his large collection to the Launceston Municipal Council which was then acquired by the Queen Victoria Museum and Art Gallery (ca 1930).

The weekly police gazettes detailing the records of the men, their age, appearance and sentencing were called (until 1884) Tasmania Reports of Crime Information for Police, James Barnard Government Printer. The original prisoner ID cartes - Nevin made at least four from each negative - were pasted to the criminal's record sheet, recorded and sometimes numbered in the gaol photobooks, utilised for descriptions in the publication of warrants in the weekly police gazettes, displayed in rogues' galleries at the central Municipal Police Office, Hobart Town Hall, and circulated to other prisons and regional police stations on the prisoner's discharge.

Here are two examples of Nevin's photographs of prisoners and their records from the police gazettes chosen at random which detail the exact time and place of the photograph:

1. Charles Steventon was convicted of larceny and photographed by T. J. Nevin at the Police Office Hobart on January 4th, 1873.







POLICE RECORDS



Charles Steventon per ship David Malcolm was discharged as a "pauper" from Port Arthur to Hobart on 27th July 1872,



Last entry: record of Charles Steventon, 71 years old, convicted on 31st December 1873 at the Police Office Hobart for larceny, sentenced to two years. This document of names of prisoners sent to Port Arthur after 1871 and returned to the Hobart Gaol was tabled in Parliament 9th June 1873. Read more here: Tasmanian Crime Statistics 1866-1875. On being received back at the Hobart Gaol, Steventon was photographed by Thomas Nevin. His photograph was printed from Nevin's glass negative or reproduced from the print again on discharge in November 1874.



The record of returns at the Hobart Gaol, 4th January 1873. Charles Steventon per ship David Malcolm, brushmaker from Birmingham (UK), his age recorded here as 67 yrs old, was sentenced to 2 years for larceny. His previous conviction was on 12 January 1870.



Charles Steventon per David Malcolm was discharged from Hobart Town on 4th November 1874. Distinguishing marks: an open gun shot wound in right leg. His photograph taken by Thomas Nevin in 1873 would have been reprinted again on this date.

2. Charles Brown, 22 years old, aka William Forster, wanted for absconding, was photographed by Thomas J. Nevin when Charles Brown surrendered himself to the Hobart Gaol and was charged, January 9th, 1874. See this article here about mismatched records.



Charles Brown, 22 years old, born ca. 1852 and therefore not a transported convict, surrendered himself to the Hobart Gaol, 9th January 1874.





Misidentification: this prisoner was Charles Brown not William Forster
QVMAG Collection: QVM: 1985:P94

Extant numbers of 1870s Tasmanian prisoner photographs
Current estimates at April 2009 of the total number of Tasmanian prisoner photographs still extant in various formats produced from government contractor T. J. Nevin's original glass negatives as prints, as mounted cartes-de-visite, as duplicates or as paper copies in public collections, several of which bear verso T. J. Nevin's colonial warrant with the government printer's Royal Arms seal are as follows:

  • Archives Office of Tasmania holds 92 copies from the QVMAG collection
  • Archives Office of Tasmania holds 10 originals from the Radcliffe Museum
  • National Library of Australia holds 84 duplicates as mounted cdvs from the QVMAG
  • Queen Victoria Museum and Art Gallery holds 112 original uncut and mounted cdvs
  • Tasmanian Museum and Art Gallery holds 58 mounted cdvs plus unmounted prints, originally borrowed from the QVMAG's Beattie Collection for exhibition at Port Arthur in 1983 (E. Wishart et al).
  • Penitentiary Chapel Historic Site holds 3, one at least attached to criminal record
  • Port Arthur Historic Site holds a few reproduced as tourist postcards
  • The Mitchell Library State Library NSW holds 13 mounted cdvs, some versos with T. J. Nevin's government contract warranty
  • Private collectors have indicated 15

Several of these items are duplicates made by Thomas Nevin at the time of photographic capture from his glass negatives; copies were made and/or circulated to other public collections from the QVMAG collection in 1958, 1977, 1982, 1985, 1991 and more recently for online display at the AOT as well as at the TMAG, QVMAG and NLA. As several images of the same man are extant, some with aliases, the actual number of convicts represented is difficult to determine. More are being discovered in archives or donated by the public on a regular basis. The archival and curatorial numbers appearing on recto or verso of the cartes-de-visite held in various public collections range from 1 to 316. In some cases, photographs of two different men bear the same number, eg. the number 3 appears on Moran's carte at the NLA, and on Tuck's carte at the QVMAG and AOT.

DUPLICATES or COPIES?
These particular mounted photographs of prisoners now at the AOT (Libraries Tasmania) which were taken by Nevin in the 1870s appear to be duplicates from the original glass negative rather than copies on paper. They may have arrived at the AOT as estrays from the Radcliffe Museum at Port Arthur. They had APA citations when found online (2013):



"Alfred Doran, probably Albert Dorman, convict transported per Blenheim. Photograph taken at Port Arthur by Thomas Nevin. LINC Tasmania"



"George Growsett, convict transported per Lady Montague. Photograph taken at Port Arthur by Thomas Nevin. LINC Tasmania"



"James Harrison, convict transported per Rodney. Photograph taken at Port Arthur by Thomas Nevin. LINC Tasmania"



Henry Smith - but unidentified by TAHO
"Convict, transported per Rodney. Photograph taken at Port Arthur by Thomas Nevin. LINC Tasmania"



"James Smith,Convict transported per John Calvin. Photograph taken at Port Arthur by Thomas Nevin. LINC Tasmania"



"Robert West, convict transported per Gilmore. Photograph taken at Port Arthur by Thomas Nevin. LINC Tasmania"



"William Ryan, arrived free per City of Hobart, tried Launceston 1868. Photograph taken at Port Arthur by Thomas Nevin. LINC Tasmania"



"Richard Phillips, convict transported per Atlas. Photograph taken at Port Arthur by Thomas Nevin. LINC Tasmania." Read more about Richard Phillips here.



Visit the Archives Office of Tasmania and enter "Nevin" in the Description box. The image which was visible in 2005 was removed sometime after 2010 on the grounds that the paper copies were not original photographs. This rather pretentious excuse at aesthetic value effectively buried valuable information for readers searching online for ancestry records etc.

RELATED POSTS main weblog

The Australian People: six prisoner cdv's by T. J. Nevin

PUBLISHED ERRORS re "Port Arthur convicts"
NATIONAL LIBRARY of AUSTRALIA collections
TASMANIA prisoner photographs by T. J. NEVIN 1870s-1880s



The Australian People: an encyclopedia of the nation, its people and their origins
First edition 1988, second edition, 2001
Cambridge University Press, Melbourne
General editor: James Jupp.

CONTENTS
  • The Peopling of Australia: pp. 3 - 86
  • Indigenous Australians: pp.87 - 162
  • The Settlers: pp. 163 - 750
  • Building a Nation: pp. 751-856
  • Birthplaces, Languages and Religions
  • Chronology Bibliography Index


Caption:
Long after transportation to Tasmania ended in 1853, those sentenced to life or re-sentenced within Tasmania were still held at Port Arthur, as were these six convicts, photographed in the 1870s shortly before the penitentiary closed.
National Library of Australia
These six photographs of Tasmanian prisoners - "convicts" - were sourced by the publishers of The Australian People from the National Library of Australia's collection of 84 photographs which were correctly attributed on accession in the 1960s and 1980s to commercial and police photographer Thomas J. Nevin, taken in Tasmania, 1872-1886. However, no photographer accreditation accompanied the photographs in this publication. They appear on page 20 within the context of Irish immigration.

The caption repeats a commonly-held misconception in many 20th century publications, namely,  that prisoners in Tasmania "were still held at Port Arthur" until its closure, which was in 1877. This is factually incorrect. The Port Arthur prison was in a state of disrepair by 1873; its commandant A. H. Boyd was dismissed for corruption in January 1874; and from July 1873 to early 1875 all re-offenders and lifers were relocated to the Hobart Gaol and House of Corrections where they were photographed on being received, assigned and/or  discharged by government contractor Thomas J. Nevin with the assistance of his brother Constable John Nevin.

The names assigned to these six prisoners from top left to bottom right are as follows:

  • John Gregson
  • Francis Gregson
  • Elisha Nelmes aka John Jones
  • Walter Johnson aka Henry Bramall or Taylor
  • Michael Gilmore
  • James Sutherland.
There is now an article posted here about the criminal activities in the 1870s of every one of these six prisoners.

A further misconception is that these six photographs represent convicted criminals transported to Van Diemen's Land (Tasmania) before cessation in 1853. Again, this is factually incorrect. Three of these prisoners - brothers John and Francis Gregson, and James Sutherland - were locally-born in Tasmania. James Sutherland's photograph was taken at sentencing at the Hobart Gaol in the weeks before he was executed for murder on 29th May 1883, much later than the Gregsons' who were photographed at the Hobart Gaol in 1874.

Five of these six cartes-de-visite of Tasmanian prisoners reprinted by Jupp (ed, 2001) from the National Library of Australia's collection are dated 1874 on the verso, with the inscription "Taken at Port Arthur, 1874", which is touristic spin rather than fact, written decades later in a cataloguist's hand probably by Edward Searle while working at John Watt Beattie's convictaria museum and studio in Hobart between 1911-1915 where many of these mugshots were displayed. The majority of these extant prisoner photographs of Tasmanian "convicts" in public collections - more than 300 - were taken by Thomas J. Nevin and Constable John Nevin at the Supreme Court and Hobart Gaol on the occasion of the prisoner's incarceration and discharge between 1872-1884.

Webshot 2007 NLA convict mugshots by T. j. Nevin

The complete list of NLA's holdings, webshot 2007:
Nevin, Thomas J. 1842 -ca, 1922 [sic - 1923]
National Library of Australia
Convict Portraits, Port Arthur, 1874

RELATED POSTS main weblog

Australia's FIRST MUGSHOTS

PLEASE NOTE: Below each image held at the National Library of Australia is their catalogue batch edit which gives the false impression that all these "convict portraits" were taken solely because these men were transported convicts per se (i.e before cessation in 1853), and that they might have been photographed as a one-off amateur portfolio by a prison official at the Port Arthur prison in 1874, which they were not. Any reference to the Port Arthur prison official A. H. Boyd on the NLA catalogue records is an error, a PARASITIC ATTRIBUTION with no basis in fact. The men in these images were photographed in the 1870s-1880s because they were repeatedly sentenced as habitual offenders whose mugshots were taken on arrest, trial, arraignment, incarceration and/or discharge by government contractor, police and prisons photographer T. J. Nevin at the Supreme Court and adjoining Hobart Gaol with his brother Constable John Nevin, and at the Municipal Police Office, Hobart Town Hall when appearing at The Mayor's Court. The Nevin brothers produced over a thousand originals and duplicates of Tasmanian prisoners, the bulk now lost or destroyed. The three hundred extant mugshots were the random estrays salvaged - and reproduced in many instances- for sale at Beattie's local convictaria museum in Hobart and at interstate exhibitions associated with the fake convict ship Success in the early 1900s. The mugshots were selected on the basis of the prisoner's notoriety from the Supreme Court trial registers (Rough Calendar), the Habitual Criminals Registers (Gaol Photo Books), warrant forms, and police gazettes records of the 1870s-1880s. The earliest taken on government contract by T. J. Nevin date from 1872. The police records sourced here are from the weekly police gazettes which were called (until 1884) Tasmania Reports of Crime Information for Police 1871-1885. J. Barnard, Gov't Printer.