Showing posts with label Updated. Show all posts
Showing posts with label Updated. Show all posts

Prisoner James Martin: criminal career 1860s-1890s

THE RADCLIFFE MUSEUM Port Arthur
CONVICT TATTOOS
EXHIBITIONS and photographer misattribution

Tasmanian Museum and Art Gallery copy
Number on recto: this mugshot of prisoner James Martin, mounted as a carte-de-visite, was numbered "183" underneath the image on the front when it was removed from the John Watt Beattie Collection at the Queen Victoria Museum and Art Gallery, Launceston in 1983 for the Port Arthur Conservation and Development Project (PACDP), an exhibition at the Port Arthur prison heritage site on the Tasman Peninsula. It was not returned to the Beattie Collection at the QVMAG in Launceston, as it should have been, it was deposited instead at the Tasmanian Museum and Art Gallery, Hobart, along with at least fifty (50) more cdvs of prisoners similarly numbered on front. The original photographs of these men were taken by professional photographer Thomas J. Nevin in the 1870s on contract for daily use by police and prisons administration. The QVMAG list (2005) showed a total of 199 mugshots, but only 72 were physically held at the QVMAG when the list was devised. At least 127 mugshots were missing by 2005. See the list here.

Number on verso: this cdv was numbered "224" on the verso much earlier, in the early 1900s when it was removed from the Hobart Gaol and Municipal Police Office registry and inscribed verso by Beattie et al with the wording "Taken at Port Arthur 1874" along with 300 hundred more of these original mugshots taken by government contractor T. J. Nevin in the 1870s. J. W. Beattie, as the government photographer by 1900 who was commissioned to promote Tasmania's penal heritage, sent this mugshot of James Martin among dozens more cdv's for inclusion in travelling exhibitions associated with the fake convict hulk Success at Sydney, Melbourne, Hobart and Adelaide. On Beattie's death in 1930, the QVMAG acquired this travelling set of Tasmanian mugshots, removed each from the cardboard to which they were pasted, and exhibited them in 1934 at Launceston as part of the estate of John Watt Beattie's convictaria collection.



Prisoner James MARTIN
Photographed on 24th October 1874 at the H.M. Goal, Hobart
Photographer: Thomas J. Nevin
Numbered "183" on recto in 1983
Numbered "224" on verso in 1915
Tasmanian Museum and Art Gallery:
TMAG Ref: Q15614




Verso: Prisoner James MARTIN
Photographed on 24th October 1874 at the H.M. Goal, Hobart
Photographer: Thomas J. Nevin
Numbered "183" on recto in 1983
Numbered "224" on verso in 1915
Tasmanian Museum and Art Gallery:
TMAG Ref: Q15614


The verso of this cdv shows evidence of removal from thick grey paper or board. Transcribed subsequently over the grey scraps with "James Martin per Ld Petre, Taken at Port Arthur 1874" is incorrect information, written ca. 1900s-1916 after this cdv of Martin was exhibited by Beattie, using the terms "Types of Imperial Convicts", "Port Arthur" and the date "1874" to appeal to local and interstate tourists by association with Marcus Clarke's novel of 1874, For the Term of His Natural Life, which was filmed at the Port Arthur prison site (1927). Renamed as Carnarvon, the old prison grounds and buildings were promoted as Tasmania's premier tourist destination, then as now. In short, the transcription of the verso of this prisoner mugshot, as with hundreds more from Beattie's estate acquired by the QVMAG on his death in 1930, is tourism propaganda which reflects neither the actual place and date of the photographic capture nor the individual prisoner's criminal history.

Archives Office of Tasmania copy
This paper copy is held at the Archives Office of Tasmania, Hobart, photocopied in the 1970s from the 200 or so cdv's held in the John Watt Beattie Collection, QVMAG, Launceston.


Photographic portrait of James Martin, copy at Archives Office of Tasmania, dated incorrectly as 1870 for no apparent reason, possibly inscribed for display at the Radcliffe Museum.



PH30/1/2023
Title: Portrait of James Martin
Subject: convicts, people, portraits
Locality: not identified
Date: 1870
Photographic portrait of JAMES, Martin


In the letter (below) addressed to the National Library of Australia from the Archives Office of Tasmania, dated 3rd December 1982, this black and white copy of T. J. Nevin's portrait of prisoner James Martin was mentioned as one of a set of ten mounted photographs "which came from the Ratcliffe [sic - Radcliffe] Museum at Port Arthur" [held in NEVIN file, NLA - see link below].

The Archives Office of Tasmania recorded the acquisition of ten mounted cdvs of prisoners ca. 1975 from William Radcliffe's convictaria museum called The Old Curiosity Shop, which was located at Port Arthur in the 1930s. The ten cdvs were mugshots of prisoners George Willis, James Merchant, George Leathley, Daniel Murphy, Alfred Doran, Ephraim Booth, James Martin, Henry Sweet, William Harrison and Alfred Maldon. William Radcliffe may have salvaged as much as was possible from John Watt Beattie's museum prior to Beattie's death in 1930 in order to set up his own convictaria museum, naming it with a Dickensian flourish no less.

The Archives Office of Tasmania gives this information:
Agency Number: NG946
Title: WILLIAM MONTAGUE RADCLIFFE AND FAMILY (COLLECTORS)
Start Date: 01 Jan 1920
End Date: 01 Jan 1970
Description:
The Radcliffe family ran a museum at Port Arthur that contained a collection of Tasmanian memorabilia and records. It was known as 'The Old Curiosity Shop'. The 'Radcliffe Collection' was acquired by the National Parks & Wildlife Service in the 1970s. William Radcliffe died in September 1943.
Information Sources: Glover Papers Vol 1 Page 66



Photo © KLW NFC 2010 ARR with callout corrections.

This is a letter from the Archives Office of Tasmania, Hobart to the National Library, Canberra in response to the NLA's query about the whereabouts of T. J. Nevin's photograph of convict James Martin. The typing errors are numerous, and the information about the photographer is misleading: T. J. Nevin was not a "convict photographer", he was a free settler arriving at Hobart with his parents and three siblings as a 10 year old child in 1852. The letter is one of several accession records held at the National Library of Australia which has correctly attributed T. J. Nevin as the photographer of their collection of 84 cdvs, catalogued as "Convict portraits, Port Arthur 1874". The recent prevarications regarding Nevin's attribution by a former employee at the PAHSMA who begged the NLA to cite her "essay" about the Port Arthur commandant A. H. Boyd, are best ignored as fantasy.

TRANSCRIPT
Ref: 450/2/182
Archives Office of Tasmania
91 Murray Street
Hobart 7000

3 December 1982

Mrs Barbara Perry
Pictorial Librarian for Principal Librarian
Australian Reference
National library of Australia
CANBERRA  A.C.T.  2600

Dear Mrs Perry
Your enquiry to the Allport Library and Museum of Fine Arts has been referred to our office as the photograph of James Martin is located in the Archives Office of Tasmania Collection (see reference to acknowledgements under Archives).
It has been mistakenly entered also among the Allport references.
The photograph of James Martin is part of a set of ten mounted photographs which came from the Ratcliffe [sic - Radcliffe] Museum at Port Arthur. Copies of these photographs are [located?] at 52/11/1-10 and include photographs of George Willis, James Merchant, George Teatbley [sic- Leathley], Daniel Murphy, Alfred Dovan [sic - Doran] Epheian [sic - Ephraim] Booth, James Martin, Henry Sweet, William Harrison and Alfred Waldon [sic - Malden or Maldon]. The photographs are dated between 1872-1874.
I also enclose a list of archive photographs reference 30/3184-3263 which are copies of T. J. Nairn [sic - Nevin] convict photographer held at the Queen Victoria Museum, Launceston. Further copies from this photographer, provenance not known, are at archives reference 30/4111-30/4116. I enclose brief notes on the photographer T. J. Nairn [sic - Nevin] compiled by a researcher Chris Long who visited our office last month. I have no additional information to add to these notes.

Yours sincerely
[signature]

IAN PEARCE
ACTING PRINCIPAL ARCHIVIST
Source: National Library of Australia
Nevin, T. J. : photography related ephemera material collected by the National Library of Australia.
Physical Description 1 folder of miscellaneous pieces.
Series Australian photographer files
Contents File contains material such as accession sheets, listings of works biographical material and correspondence related to convict portraits.
https://trove.nla.gov.au/work/25412530

Court records and press reports

1857: transportation record and freedom
James Martin was convicted at the Barbados Court Martial, transported for 14 years, departing on the Lord Petre on 3 July 1843, arriving at Hobart, Van Diemen's Land, on 15th October 1843 in the company of 237 other convicts.

The record below is an odd document as all the details pertaining to the prisoner James Martin's date of conviction, date of arrival at Hobart, and physical description are missing. On the top right-hand corner to the right of the words "Transported for" is a sketch of a bird pecking at crumbs on the ground, and below it, the letter "D" enclosing a cross and diamond, signifying James Martin was a (Catholic?) deserter from the army. The note on his Port Arthur record of earnings (see below - CON94/1/1 Folio 143) records the date of his desertion, 8 November 1842, the place, Barbados, and the sentence, court martial, 14 years. But what does the bird signify? Details of his various offences  in Van Diemen's Land (Tasmania), mostly for absconding, theft and insolence, terminate on this record in 1857 when he was granted freedom.



Detail of record below: top right-hand corner, "Transported for" and sketch of a bird pecking at crumbs on the ground. Below the wording, the letter "D" enclosing a cross and diamond, sign of a Catholic [?] deserter.



CON33-1-45_00243
Archives Office Tasmania

According to Simon Barnard, illustrator of Convict Tattoos (2016), "of the 1051 deserters transported to Van Diemen's Land, 800 are recorded as branded".



Barnard, Simon Convict tattoos : marked men and women of Australia.Melbourne, Vic.
The Text Publishing Company, 2016.
Website: https://www.simonbarnard.com.au/product/convict-tattoos/

1865: fresh from Port Arthur
BELLERIVE POLICE COURT.
SATURDAY, 30th SEPTEMBER, 1865.

There were present at the sitting of the Court the Warden, and Messrs. Strachan, Maum, Stanfield, Young, and Morrisby.

The following was the only case to be brought before the Bench:--

Housebreaking.-James Martin was charged by Mr. Bellette, Superintendent of Police, with having, on the 26th day of September, feloniously broken into the dwelling-house of Charles Jones, and stealing thereout a pair of boots, a coat, a pair of trowsers, one pair of blankets, two pairs of socks, and other articles, his property.

Charles Jones, the prosecutor, stated that he was in the service of Mr. Josephs, Single Hill, and resided in a hut on his master's premises. On the night of the 25th instant, the prisoner, by the permission of his master, slept in the hut, and left the next morning after breakfast, and just before sunrise ; witness then went to work, and saw a man soon afterwards whom he took to be prisoner about the hut ; witness then went to his master in the garden, and they both noticed the man about the hut, who "planted'' himself behind some trees, and appeared to be watching their movements. Witness went down to the hut, which he found had been broken into. The flannel blankets produced were lying at the front of the hut, and the other articles mentioned had been taken from the inside with a shilling in money. Witness next saw the man almost immediately afterwards in the custody of his master.

Mr. George Joseph stated, that on the day named he saw a man walking about near the prosecutor's hut ; witness fetched his gun and accompanied by a man named Brindley went down to the hut; the man witness had seen came out of the hut and then went into the stable; the man came out of the stable shortly after, with a bundle ; he looked up and down the road, and then came away trying to hide himself in the bushes, and after coming a short distance laid down ; witness went up and took hold of him; prisoner at that time had prosecutor's coat on ; witness also took from prisoner the other property produced; witness gave the prisoner and property into the custody of Constable Swifte.

James Brindley, carpenter gave evidence corroborative of that of last witness.

Constable Swifte, in the municipal police, stated that he received the prisoner in custody with the articles produced ; on examining the hut he found the staple on the door check twisted and the padlock produced lying broken on the floor ; on the road to the station the prisoner said, " I came up from Port Arthur on the 6th of this month from doing eight years; I am a miserable man and the devil must have tempted me to commit this crime."
The prisoner made no defence.
Committed for trial.
The Court then rose.
Source: Mercury (Hobart, Tas. : 1860 - 1954) Mon 2 Oct 1865 Page 2 BELLERIVE POLICE COURT.

1865: back to Port Arthur
For the theft of flannel blankets etc James Martin was tried at the Supreme Court, Hobart, on 24 October 1865 and returned to the Port Arthur prison on 26 November 1865 to serve a sentence of ten years. This document states that earlier he was transported for 14 years on 8th November 1842 for "Breach of Articles of War", i.e. he was court martialled for desertion.



Conduct register - Port Arthur
Item Number: CON94/1/1 Start Date: 01 Jan 1868 End Date: 31 Dec 1869
James Martin per Lord Petre, Folio 143

1870: absconded



TRANSCRIPT
PENAL ESTABLISHMENT
Secretary's Office, 4th April, 1870.
ABSCONDER. for whose apprehension in the Colony within a period of twelve months from the date of his absconding a Reward of Two Pounds or such lesser sum a may be awarded by the convicting Magistrate, will be paid: -
From Port Arthur, under sentence, on the 29th March, 1870.
James Martin, per Lord Petre, tried S. C. Hobart Town, 24th October, 1865, 10 years imprisonment, trade, stonemason, complexion fresh, hair dark brown, eyes dark brown, height 5 feet 7½ inches, eyes dark brown. Remarks - Marks of punishment, slightly pockpitted on face, scar on thumb and forefinger left hand, scar right side of nose
C. T. BELSTEAD, Secretary

1875: discharged and photographed
This discharge notice of 1875 relates to the original Supreme Court conviction of 1865 when James Martin was sentenced to ten years for breaking and entering a dwelling house. In October 1874, when his record was reviewed, he was photographed by Thomas J. Nevin pending discharge a few months later, in January 1875, having served his full term. When he was discharged during the week ending 6th January 1875 from Hobart Town, James Martin per Ld Petre, native place County Meath, was 55 yrs old, 5ft 8 inches tall, with brown hair and a mole in the corner of his left eye.



Prisoner James MARTIN per Lord Petre was discharged from H. M. Gaol, Hobart during the week ending 6th January 1875.
Source: Tasmania Information for Police J. Barnard Gov't printer

1876: second thoughts about being a constable
Apparently James Martin did not like the job of police constable or he was forced to resign. He joined the constabulary in April 1876, and resigned three months later, in August. However, there were many men called James Martin in Tasmania in these decades, so this record might not pertain to the James Martin who arrived in VDL on the Lord Petre, the prisoner T. J. Nevin photographed in 1874.



TRANSCRIPT
MISCELLANEOUS INFORMATION
RETURN of Appointments, &c. in the Police Force: -
Municipal. - Richmond
James Martin, to be a Constable from the 1st instant, vice William Brooks, resigned.
Source: Police gazette notice of 28 April 1876



TRANSCRIPT
MISCELLANEOUS INFORMATION
RETURN of Appointments, &c. in the Police Force: -
Municipal. - Richmond.
Peter Smith, Constable, from the 15th ultimo, vice James Martin, resigned.
Source: Police gazette notice of 4 August 1876

1876-1884: housebreaking



Rough Calendar Hobart Supreme Court GD70-1-1 1870-82
TAHO Ref: GD70-1-1 James Martin
Rough Calendar for the Supreme Court for 1876: guilty, ten years with hard labour.

On the 6 June, 1876 James Martin was tried at the Supreme Court, Hobart for housebreaking and larceny, sentenced to another ten years, and discharged in the week ending 6 February 1884.



James Martin was discharged from another lengthy sentence for housebreaking in 1884, now 63 yrs old, and one whole inch taller at 5'9" (ha ha, that's a joke, see discharge notice above, for 1875, but thanks Hamish Maxwell-Stewart all the same). He re-offended again soon after release and was incarcerated once more at the Hobart Gaol where he died in 1892.

1892:death
James Martin died at the Hobart Gaol, Campbell Street, while still under sentence in 1892. He was 72 years old, born ca. 1820. He was buried in a pauper's grave, Catholic Section. Supposed cause of death was senility.



AF70-1-18 (BU 8966)
Cornelian Bay, Pauper, Section A, Number 232
Martin, James
Record Type: Deaths
Age: 72
Description: Last known residence: H. M. Gaol, Hobart
Property: Cornelian Bay Cemetery
Date of burial: 23 Aug 1892
File number: BU 8966
Record ID: NAME_INDEXES:1557291


Exhibitions 1983 and 2000



Top, from left to right: John White, Daniel Murphy, James Harrison
Bottom from left to right: Daniel Davis, George Willis, James Martin
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014

The Tasmanian Museum and Art Gallery constructed four wooden-framed collages under glass from their collection of Thomas J. Nevin's prisoner mugshots for an exhibition titled Mirror with a Memory, held at the National Portrait Gallery, Canberra, in 2000. James Martin's image was placed bottom row, extreme right in this frame. However, for reasons best described as blind-sided, the TMAG staff who chose these mugshots sent the four frames to Canberra, five cdvs in the first, six per frame in the other three, with labels on the back of each wooden frame stating quite clearly that the photographs were attributed to A. H. Boyd, the much despised Commandant of the Port Arthur prison who was not a photographer by any definition of the term, nor an engineer despite any pretension on his part and especially despite the social pretensions of his descendants who began circulating the photographer attribution at the Port Arthur prison tourist site as a rumour in the 1980s to compensate no doubt for Boyd's vile reputation.

Numbers on the back of each cdv and the phrase "Taken at Port Arthur 1874" were added ca. 1890s-1900s by Beattie an assistants for exhibition and sale as tourist souvenirs at his "Port Arthur Museum" located at 51 Murray St. Hobart, some arranged alphabetically in albums, others pasted to carboard wall mounts. Numbers on the front of the mount were devised for an inventory list in the 1970s-1980s before they were removed and dispersed from the QVMAG's collection. Although every cdv up to 200 was numbered, 50 or so of those that were listed as missing (a total of 127) were taken south for the Port Arthur Conservation and Development Project (PACDP) exhibition. They were returned to the Archives Office of Tasmania collections stored at Rosny, Hobart. When the Tasmanian Museum and Art Gallery moved into the Rosny site, the museum acquired this particular collection (50 or so) which should have been returned to the QVMAG with the rest of the prisoner mugshots collected by John Watt Beattie from Hobart Gaol prisoner rap sheets and Municipal Police Office Photo Books. Those PO Photo Books from the 1870s have not survived, either because the photos were removed by Beattie for display and sale in the 1900s, or because of sensitivities about the "convict stain" resulted in their destruction during the Lyons period of government. References to numbered photographs in some of the MPO Photo Books are to be found on prisoner's rap sheets, especially the later rap sheets wherever the photos are still attached. Read more in these related posts ...

RELATED POSTS main weblog

Rogues Gallery: the National Library of Australia collection



Provenance
The National Library of Australia's collection of police mugshots - originals of which were taken at the Hobart Gaol, Campbell St. Hobart and at the Mayor's Court, Municipal Police Office, Hobart Town Hall, by government contractor Thomas J. Nevin from 1872-1886 - was acquired by the NLA from two main sources: twelve (12) "archival estrays" formerly the property of the Tasmanian government, were donated by historian Dr Niel Gunson in 1964; and copies of the seventy (70) cdv's exhibited at the QVMAG in 1977 as the work of T. J. Nevin were presented to the NLA by the exhbition's curator John McPhee in 1984, housed in an album from the John Watt Beattie collection. It was during the 1980s that the QVMAG's collection of Tasmanian "convict" photographs was dismantled, and distributed piecemeal to various public institutions, including the Tasmanian Museum and Art Gallery (57) and the Port Arthur Historic site.

Full records with T. J. Nevin's attribution as the professional photographer commissioned to photograph Tasmanian prisoners on incarceration and discharge are held at the NLA, in Sprod Papers NLA MS 2320. The National Library of Australia has recently updated its digital software, yet the versos of these photographs, which can provide researchers with valuable information. have not been digitised. The NLA believes that the absence of a photographer's studio stamp on the versos - of police mugshots no less - is reason enough to engage in puerile political games of re-attribution, despite expert curatorial validation, and Nevin's government contract stamp on several of these mugshots held in other national collections. The versos of the majority of these photographs were incorrectly transcribed ca. 1890s-1900s with the wording "Taken at Port Arthur 1874" to promote penal heritage tourism to Tasmania when they were sent as exhibits to the Royal Hotel, Sydney, in conjunction with an exhibition of convictaria on the fake transport ship, the Success, which toured Hobart, Brisbane, Melbourne and Adelaide before returning to Sydney. The majority of the 85 mugshots in the NLA collection consists of copies either duplicated from the originals - or missing from - the collections held at the Tasmanian Museum and Art Gallery, Hobart and the Queen Victoria Museum and Art Gallery, Launceston.



Webshot 2007: Photographer Nevin, Thomas J.
NLA Pictorial list of Convict portraits, Port Arthur 1874



































Offline and in situ
Offline and viewed in situ at the National Library of Australia in the plastic folder sleeves and pockets (see examples below) in which they are housed, these very old 1870s and 1880s photographs of Tasmanian prisoners lose a good deal of their visual appeal which they otherwise seem to project when enlarged and digitised for online viewing. The staff at the National Library of Australia readily protest that these photographs are prized as unique artefacts when confronted with criticism about the way they are treating their collection. Yet the plastic pockets - which are not the celluloid pockets used for other photographs in their collections - are contributing to the decay of these photographs and is clear evidence that the NLA staff prefer to dissemble, at times even respond with aggression when called out.

Likewise, the manner in which the NLA staff since 2007 have compromised government contractor Thomas J. Nevin's historically correct attribution as the commercial photographer of these mugshots with baseless tourist propaganda from Port Arthur employees playing the events-of-1996 sympathy card, is inflicting damage of another kind to the nation's cultural memory which these photographs inform. They should at the very least receive mature and professional treatment, but Australia's cultural heritage, it seems in this instance, is not necessarily immune from abuse by the very public institution entrusted to preserve it.

Example folder 1: rectos (below)



Example folder 1: versos (below)



Example folder 2: rectos (below)



Example folder 2: versos (below)



Example folder 3: rectos (below)



Example folder 3: versos (below)



Tasmanian prisoner mugshots - or "Port Arthur convicts 1874"
Taken at the NLA January 2015
Photos copyright © KLW NFC Imprint 2015



State Library of NSW
[`Success' fake convict ship at Circular Quay, Sydney]
Call Number SPF / 763
Digital Order No. a089763

Fake and Fortune
The inscription - "Taken at Port Arthur, 1874" - on the verso of more than 300 extant cartes-de-visite copies of the original captures on glass by T. J. Nevin in the one sitting with the prisoner in the 1870s, together with the convict's name and ship on which he was transported - was mere touristic spin to tempt the intercolonial tourist to visit the ruins of Port Arthur, and to buy a cdv as a souvenir, perhaps a cdv of their criminal forebears. It was added to the versos by John Watt Beattie and his assistant at his highly profitable "Port Arthur Museum" in Hobart, and dates from the 1890s-1920s. His reproductions and montages of these 1870s mugshots of Tasmanian prisoners - touted as "Port Arthur convicts"- were displayed on the fake convict ship, the Success, during visits to Hobart, Brisbane, Adelaide, and Sydney. The "belief" published by Chris Long in 1995 (Directory of Tasmanian Photographers 1840-1940, TMAG) that A. H. Boyd, as Commandant at Port Arthur until December 1873, was the photographer of these Tasmanian prisoners is a deliberate falsification of the facts, a doubling down of misinformation and disinformation in the name of dark tourism. A. H. Boyd was not a photographer by any definition of the term and played no part in their production and supply by government contractor T. J. Nevin at the Hobart Gaol, Campbell St. Hobart in the years 1872 to 1886.

Search this site for detailed police records for each prisoner's mugshot.

RELATED POSTS main weblog

Jack Nevin at the Hobart Gaol 1860s

Constable John (W. J. aka Jack) NEVIN 1860s-1800s
Prisoners' barracks, Hobart Gaol, Campbell St.
Stereographs, colour and frame, 1860s



Map of the old Hobart Gaol
Copyright © KLW NFC Imprint Private Collection 2009

Three early stereographs of the Hobart Gaol
These three stereographs (below) of the H. M. Gaol, known as the Campbell Street Gaol, Hobart Town, taken in the mid 1860s are held in the State Library of Tasmania. Colour auto-adjustment of the first one in particular - depicting Jack Nevin as a boy and a top-hatted man, possibly the Superintendent J.P. Ball in the courtyard of the gaol - has revealed the yellow mount and arch framing used by Tasmanian photographer Alfred Bock, and his junior partner Thomas J. Nevin in his stereograph series from the 1860s located at the Tasmanian Museum and Art Gallery.

Prolific stereographer Samuel Clifford (1827-1890), Thomas J. Nevin’s long time friend and partner, used the same paper and framing for an exhibition of 100 stereoscopic views at Melbourne’s 1866 Intercolonial Exhibition. Clifford’s association with the Gaol was long-standing: between 1851 and 1856 he was the storekeeper at the Hobart Town Prisoners’ Barracks (Kerr, 1992:164), the subject of these three views below. Clifford reprinted many of Thomas J. Nevin's commercial negatives for his former private clientele after 1876 on Nevin joining the civil service as full-time Keeper of the Hobart Town Hall.

An unusual monogram appears on the verso of the last in this series - “J. P. Ball” . This monogram appears on the verso of another stereo at the State Library of Trinity Church with this note in the catalogue:
“Monogram in ink on left side of verso, with [J.P. Ball] in pencil, probably printed by G.T. Stilwell”
The late G. T. Stilwell was the curator of the ALMFA and Special Collections Librarian but who was J.P. Ball? He may have been one of more than twenty people named Ball living in Hobart at the time. There was an established firm of solicitors called Gill & Ball in the 1870s, whose company name can be seen on the office windows - building on left - in the photograph below (not dated):



Source: University of Tasmania ePrints

Lilac fixer was used extensively to cater to contemporary taste in the printing of photographs during the 1860s. These two versions of each of the three early stereographs taken at the Hobart Gaol, also known as the Prisoners' Barracks, Campbell St., show the print (a) scanned for digital display by the State Library of Tasmania, and (b) auto colour-corrected to reveal the colour of the mount.



Above: scan at AOT
Below: colour auto-adjusted



Title: View of the prisoners' barracks, Campbell Street
Creator(s):Unknown
Date: ca. 1860
Description: 1 stereoscopic pair of photographs : sepia toned ; 9 x 18 cm. (mount)
Notes: Descriptive inscription in ink on verso., Image size 71 x 69 mm. each.
Subjects: Prisoners' Barracks (Hobart, Tas.) - History - 1851-1901
Location: W.L. Crowther Library
https://libraries.tas.gov.au/Digital/AUTAS001125299420/AUTAS001125299420




Above: scan at AOT
Below: colour auto-adjusted



Title: Prisoners Barracks i.e. Gaol, Hobart Town
Creator(s):Unknown
Date: ca. 1865
Description: 1 stereoscopic pair of photographs : sepia toned ; 7 x 7 cm. each, on mount 9 x 18 cm.
Notes: Title inscribed in ink in centre of verso, in Sir William Crowther's hand., Date and accession number in pencil upper right corner of verso., Exact size 69 x 66 mm. each, on mount 86 x 171 mm.
Location: W.L. Crowther Library
https://libraries.tas.gov.au/Digital/AUTAS001124851619/AUTAS001124851619




Above: scan at AOT
Below: colour auto-adjusted



Title: Interior, Hobart Gaol
Creator(s):Unknown
Date: ca. 1865
Description: 1 stereoscopic pair of photographs : sepia toned ; 8 x 7 cm. each, on mount 9 x 18 cm.
Notes: On verso: title inscribed in ink in upper left, in Sir William Crowther's hand ; the no. 63, circled, in pencil in centre in unknown hand ; monogram in ink on right side, consistent with one identified as J.P. Ball in stereoscope 8/14., Date and accession number in pencil upper right corner of verso., Exact size 72 x 68 mm. each, on mount 86 x 171 mm.
Format: photograph
Location: W.L. Crowther Library
https://libraries.tas.gov.au/Digital/AUTAS001124851627/AUTAS001124851627


Jack Nevin at the Prisoners' Barracks
The boy in this stereograph (figure on viewer's left) is Jack Nevin, the younger brother of commercial and police photographer Thomas J. Nevin. He was photographed standing in conversation with an older man in top hat, perhaps prison official Mr J. P. Ball, Superintendent of the Prisoners Barracks, Campbell Street, Hobart, Tasmania.



Source: "View of the prisoners' barracks, Campbell Street", 1860s
W.L. Crowther Library State Library of Tasmania
Link: https://libraries.tas.gov.au/Digital/AUTAS001125299420/AUTAS001125299420



Detail of stereo right image above: A very young Jack Nevin ca. 1865, later Constable W. John Nevin in his favourite pose - left hand on hip - at the Hobart Gaol.

William John Nevin (1851-1891), known as Jack to the family, and as Constable John Nevin on joining the civil service at age 18 yrs in 1870, was stationed at the Asylum, Cascades Prison for Males, Hobart until 1876. His service continued at the Hobart Gaol, Campbell Street, as "Gaol Messenger", a rank which covered his duties as photographer, and as a hospital "Wardsman" until his untimely death in the typhoid epidemic of 1891 while still in service, aged 39 yrs old. The registrar of his death gave his age as 43 yrs old; however, his burial records at Cornelian Bay Cemetery on 19th June 1891 listed his death at 39 yrs, i.e. born 1851, and this date is consistent with the sick lists of the Fairlie shipping records stating that he was a babe in arms, less than 9 months old, when he arrived in Hobart on 3rd July 1852 with his settler parents, his father John Nevin snr, his mother Mary Anne (Dickson) Nevin, and his three older siblings: Thomas James Nevin, Rebecca Jane Nevin, and Mary Ann Nevin. The Fairlie sick list recorded:
Folio 5: William Nevin, aged 6 months, Child of Guard; sick or hurt, convulsio; put on sick list 2 June 1852, discharged 9 June 1852 to duty.
Their father John Nevin snr, former soldier of the Royal Scots First Regiment with service in the West Indies and Canada, worked the family's passage on the Fairlie as guard of the 292 adult male convicts and warden of 32 boys exiled from Parkhurst prison.

A full-length portrait of William John Nevin, 16 years old, taken by his brother Thomas J. Nevin in early 1868 during the visit to Hobart Tasmania of Alfred Ernest Albert, the Duke of Edinburgh, second son of Queen Victoria on board the Royal yacht HMS Galatea, shows even more clearly the typical pose and dress of young William John aka Jack Nevin, choices made whenever he was photographed while still a youth, left arm bent, hand on hip, clean shaven (until his twenties when he favoured a moustache), a three piece suit with fob chain, and jacket with velvet revers (lapels).



Subject: William John Nevin (1852-1891), known as Jack to the family;
also known as Constable John Nevin from 1870-1891
Photographers: Thomas J. Nevin (older brother) and Robert Smith, as the firm NEVIN & SMITH
Location and Date: 140 Elizabeth St. Hobart, Tasmania, January 1868.
Details: verso stamped with Prince of Wales blazon of three feathers, coronet and Ich Dien;
"From Nevin & Smith late Bock's, 140 Elizabeth St. Hobart Town"
Source: Private Collection, Sydney Rare Books Auction, June 2019


Jack Nevin's signature pose in this photograph - left hand on hip - also appears in a family group photograph taken in 1871:

Thomas nevin seated Jack Nevin top right

Detail of group photo: Nevin Group Portrait taken at the wedding of Thomas J. Nevin and Elizabeth Rachel Day, July 1871:
Jack Nevin, top right, Thomas James Nevin snr and Elizabeth Rachel (Day) Nevin seated
Copyright © KLW NFC Imprint Private Collection 2003

This detail of a group photo taken (by whom?) at the time of Thomas James Nevin and Elizabeth Rachel Day's marriage, 12 July 1871 at the Wesleyan Chapel, Kangaroo Valley, together with wedding guests, shows the bridal couple Thomas and Elizabeth Nevin seated and younger brother Jack Nevin standing with hands on hips, on viewer's extreme right.



A younger Jack Nevin standing on viewer's extreme right
Nevin Group Portrait taken at the wedding of Thomas J. Nevin and Elizabeth Rachel Day, July 1871
Jack Nevin, top right, Thomas James Nevin snr and Elizabeth Rachel (Day) Nevin seated
Copyright © KLW NFC Imprint Private Collection 2003

William John Nevin late 1870s

Constable John (William John aka Jack) Nevin ca 1874-6
Photographed by his brother Thomas J. Nevin
City Photograph Establishment, 140 Elizabeth St. Hobart, Tasmania
Copyright © KLW NFC Imprint & Private Collection of Denis Shelverton 2006

This image was scanned from a photograph taken ca. 1874-6 which had been printed on thin paper and left unmounted. It was pasted into the scrapbook of George Nevin (1880-1957), the fourth son of Thomas and Elizabeth Nevin, born at the Hobart Town Hall during Nevin's incumbency as Hall Keeper.

The original photograph by Thomas J. Nevin was taken at his studio the City Photographic Establishment, 140 Elizabeth Street, Hobart Town. Even such a poor image gives details of the studio decor which featured a diamond-patterned carpet, and a table with griffin-shaped legs. Thomas J. Nevin captured his younger brother Jack in a relaxed standing pose leaning on a book (one of those key Victorian signifiers of literacy), wearing a shirt, tie, fob watch, and three piece suit with velvet collars.

In this later photograph (below) taken ca. 1880, Jack Nevin looks very relaxed and very savvy about the process of being photographed. His gaze is direct and very keen, his clothes suitable for everyday work in a foul place such as a prison. His salaried positions were primarily in administration, with a career path and ranking similar to the Gaol Keeper's until his untimely death during the typhoid epidemic of 1891. Older brother Thomas Nevin had been a Keeper too of a public institution, at the Hobart Town Hall between 1876-1880; a special constable during the Chiniquy Riots of 1879, and assistant bailiff in the courts during the 1880s.

Jack Nevin

Constable John Nevin (William John aka Jack Nevin), ca. 1880
Photographed by his brother Thomas J. Nevin.
Copyright © KLW NFC Imprint Private Collection 2009

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