Showing posts with label Attribution Issues. Show all posts
Showing posts with label Attribution Issues. Show all posts

Prisoner William DAWSON 1873-1874

This prisoner William Dawson arrived at Hobart, Van Diemen's Land on board the Barossa 2 in 1844, sentenced to seven (7) yrs for stealing mutton and two pheasants from Mr Hillsby at York. He was single, 24 yrs old, a groom and coachman. His singular focus throughout his criminal career was the theft of food for himself and others, including his horses.

He is not to be confused with William Dawson, Wesleyan Minister of Westbury (Tas) whose will dated 1886 is held at the Archives Office of Tasmania, nor with a Dr William Dawson who decapitated a man, reported in the press on 19 March 1869, when allegations that Dr Crowther and others in his medical and scientific cohort were taking bodies out of graves. Those "gentlemen collectors" involved included Morton Allport, who sought personal rewards for "donating" indigenous skeletal remains to overseas private and public collections.



Recto: Prisoner William Dawson per Barossa 2, Hobart Gaol, 8 Feb 1874
Photographed by government contractor Thomas J. Nevin fl. 1865-1886
Inscribed with the number "46" on mount in 1983
TMAG Ref: Q15584



Verso: cdv of prisoner William Dawson per Barossa 2
Inscribed in 1900s with the number "113" and “Taken at Port Arthur 1874”
NB: This mugshot was NOT TAKEN at Port Arthur, it was taken at the Hobart Gaol, 8 Feb 1874
Photographed by government contractor Thomas J. Nevin fl. 1865-1886
TMAG Ref: Q15584

The cdv was numbered "46" under the image on front mount in 1983 to keep track of it and 70 similar "convict" cdvs when it was removed from the QVMAG in Launceston for display at an exhibition, the Port Arthur Conservation and Development Project (PACDP) at the Port Arthur prison heritage site. It was not returned to the QVMAG, deposited instead in 1984 at the TMAG in Hobart where it is currently held. The verso of the cdv was numbered "113" with the prisoner's name and ship, and the phrase "Taken at Port Arthur 1874" in the early 1900s by John Watt Beattie and associates for display and sale as tourist souvenirs at his "Port Arthur" convictaria museum located at 51 Murray St. Hobart, and for inclusion in travelling exhibitions of convict records and artefacts on board the fake convict hulk "Success" at Hobart, Sydney and Adelaide during the tourist boom of the 1890s - 1900s.

Conduct Record 1853-1878
Government contractor Thomas J. Nevin photographed prisoner William Dawson on discharge to freedom from the Hobart Gaol in the week 8-11 February 1874. This document records Dawson's employment history and several minor offences from 1853 to 1878, such as defacing a book and disfiguring another prisoner by cutting off his hair.



Source: Libraries Tasmania
Link:https://libraries.tas.gov.au/Digital/CON33-1-59/CON33-1-59P327
Link:https://libraries.tas.gov.au/Record/NamesIndex/1386488

Parliamentary Record 1870
Williams Dawson was 42 yrs old when he was tried at Hobart on 14 September 1867. He was sentenced to six years for larceny on 18 Sept 1869 and sent to the Port Arthur prison on the Tasman Peninsula, 60 kms south of Hobart. He was relocated to the Hobart Gaol on 23 August 1873, approved by the Attorney-General when his discharge was confirmed, and photographed per regulations in the week of 8-11 Feb 1874.



William Dawson was listed among colonial funded prisoners at Port Arthur in 1870. Many in this list were relocated to Hobart Gaol from 1873 where Nevin photographed them on arrival and/or discharge.

Source: Convicts. Paupers and Lunatics at Port Arthur
Return to an Order of the House dated 8th September 1870 (Mr. C. Meredith)
Laid upon the Table by the Colonial Treasurer, and ordered by the House to be printed October 13, 1870
Source: https://www.parliament.tas.gov.au/tpl/PPWeb/1870/HA1870pp128.pdf

Police Gazette Record 1874
William Dawson's longest sentence in the 1860s-1870s (6 yrs) was served for the larceny of six flitches of bacon, and six hams. Lesser charges were for the theft of oats and hay:

PRESS REPORT 22 July 1869
TRANSCRIPT

POLICE COURT.
Wednesday, July 21st, I860. Before the Stipendiary Magistrate.
Burglary. - William Dawson and Edward Ryall, were charged on remand, with having on the night of the 6th July, inst., burglariously entered the premises of Messrs. Creswell and Turner in Macquarie-street, and stolen therefrom a large quantity of bacon.

The Superintendent of Police (Mr. Propsting) conducted the case for the prosecution.
Mr. Moriarty appeared for the prisoner Ryall. The prisoner Dawson was undefended.

William Creswell, butcher, of Macquarie-street, deposed : On the 6th July inst., about half past six in the evening I left my shop secured. I locked the door myself, and on returning to my place of business next morning I found that the box of the door-lock had been taken off. The door was closed to but not fastened. On going in I found a chopper on a table. I missed six sides of bacon and five hams. The five sides and four hams now produced are part of the same property, and are worth £25. I was not present when the property was found. The chopper produced is the one I have referred to. Mr. Stevenson, my managing man, went to the shop with me on the morning of the 7th inst. I am in partnership with Mr. William Turner, junr.

William Stevenson deposed - I am in the employ of the last witness. 1 was at my employer's shop on the evening of the 6th inst, and left about 6 o'clock. The door was not locked in my presence. I know the property now produced. It was in my employer's possession on the night of the 6th inst. I went to the shop again about a quarter to 7 on the morning of the 7th. Mr. Creswell came afterwards and sent to Mr. Turner for the key. When the key arrived he put it into the door and the door flew open. I then searched the place and found there were six flitches of bacon, and six hams wanting. The flitch of bacon I now point out I recognise from it having been stabbed with a sharp pointed knife, and the ham I point out was cut and cured by me from a pig killed at Mr. Walker's. I believe the cords with which one of the hams and four sides of the bacon produced are strung, are cords which I put in, and that the others are not.

At this stage the prisoners were ordered to stand back in order to procure the attendance of another witness. Mr. T. Westbrook at the same time took his seat on the Bench.

Source: LAW INTELLIGENCE (1869, July 22). The Mercury (Hobart, Tas. : 1860 - 1954), p. 3.
Link: https://nla.gov.au/nla.news-article8860300

ARRESTED 26 March 1866
ARRESTED 22 Nov 1867
DISCHARGED 25 March 1868
ARRESTED 13 Sept 1869 larceny, sentenced to 6 yrs imprisonment with hard labour
DISCHARGED 11 February1874 and photographed by T. Nevin
CONVICTED Jan 1876 larceny, 3 months
DISCHARGED April 1876
DISCHARGED 27 July 1878
DISCHARGED 22 Jan 1879
ADMITTED Newtown Charitable Institute
1 Oct 1887 to 15 Nov 1887,
23 Feb 1894 to 14 Jun 1894,
08 Mar 1898 to 19 Sep 1898,
05 Aug 1899 to 06 Aug 1899
DISCHARGED pauper 11 Aug 1899
DEATH ? 15 Sept 1900 Hobart Hospital

DISCHARGED 11 Feb 1874



Source: Tasmania Reports of Crime for Police (weekly gazette), Gov't printer J. Barnard

Prisoner William Dawson per Barossa 2 was photographed by contractor T. J. Nevin on discharge from the Hobart Gaol in the week ending 11 February 1874. He was tried for larceny at the Supreme Court Hobart on 14 September 1869 and sentenced to six (6) years. He was from York (UK), 50 years old at time of discharge, 5ft 5ins tall, greyish hair, scar on lip and five blue dots on the back of his left hand. The five dots tattoo known as the "quincunx," (like the side of a die/dice), was historically associated with 19th-century criminal gangs in London and Australia known as the "Forty Thieves" (AI), the four outer dots thought to represent the four walls of a prison cell, and the inner dot the prisoner, symbolizing time served behind bars (AI).

Five dots, convict tattoo

Source of image: Simon Barnard (2016) Convict Tattoos: Marked Men and Women of Australia (Text publishing)
https://www.simonbarnard.com.au/product/convict-tattoos/

Fakery and frame-up at the TMAG
The Tasmanian Museum and Art Gallery constructed four wooden-framed collages under glass from their collection of Thomas Nevin's prisoner mugshots for an exhibition titled Mirror with a Memory at the National Portrait Gallery, Canberra, in 2000. William Dawson's image was placed bottom row, extreme left in this frame. However, for reasons best described as blind-sided, the TMAG staff who chose these mugshots sent the four frames to Canberra - five cdvs in the first frame, six cdvs per frame in the other three - with printed labels on the back of each wooden frame stating that the photographs were attributed to A. H. Boyd, the much despised Commandant of the Port Arthur prison. A. H. Boyd was not a photographer by any definition of the term, nor an engineer despite any pretension on his part and the social pretensions of his descendants who began circulating the photographer attribution as a rumour in the 1980s to compensate no doubt for Boyd's vile reputation. The history of this misattribution since the 1980s is documented fully on this site and in this recent article.



Top, left to right: James Glenn, William Ryan, Alfred Doran
Bottom, left to right: William Dawson, John Dowling, James Merchant
Photos copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014

RELATED POSTS main weblog

Prisoner Daniel MURPHY "without the slightest hope of mercy"

Soldierof the 94th Regiment, Daniel Murphy sentenced in India 1845
Sentence of death commuted to life for crime of "buggery" 1857
T. J. Nevin's 1875 mugshot of Daniel Murphy at 20th century national exhibitions



Prisoner MURPHY, Daniel per Gazelle
Photographer: Thomas J. Nevin
Taken at the Hobart Gaol, Tasmania, January 1875

1845: sentenced at Fort St. George, India
Former soldier with 11 years' service in the 94th Regiment, 27 yr old Daniel Murphy, Roman Catholic, literate, tall and single, was charged with insubordinate conduct, striking senior officer Drum Major Cochran at Fort St. George, Chennai, India. He was tried at Madras and transported for 14 years, arriving at Hobart, VDL per the Gazelle, on 7 April 1848.



Daniel Murphy per Gazelle - indenture links:
https://libraries.tas.gov.au/Digital/CON16-1-3/CON16-1-3P453
https://libraries.tas.gov.au/Digital/CON16-1-3/CON16-1-3P452

Daniel Murphy's conduct record (below) states his imprisonment "not now chargeable to Indian Government - "vide letter of sect'y of government of India."

Further notes under "Offences & Sentences" on his conduct record stated:
"Tried Hobart Town S. C. 28th July 1857 Buggery. To be hanged commuted to Penal Servitude for Life at Port Arthur vide G.D. letter of C.J. of 10/8/57 filed with judges report of July 1857. The first six months of this period to be passed in the Separate Prison."



Name:Murphy, Daniel
Record Type:Convicts
Employer:Griffiths, George: 1850
Property:Port Arthur Penal Station
Ship:Gazelle
Place of origin:Cork
Police number: 1121
Index number:51629
Record ID:NAME_INDEXES:1421115
Link: https://libraries.tas.gov.au/Record/NamesIndex/1421115

1857: unnatural offence
Judgment of death without the slightest hope of mercy was then passed upon Murphy.




TRANSCRIPT

SUPREME COURT
Criminal Sitting
Tuesday, 28th July, 1857
(Before His Honor Mr. Justice Horne.)
The criminal sitting open this morning.
The following is the list of prisoners for trial:
Daniel Murphy and John Protheroe - Unnatural Offence [etc etc]




TRANSCRIPT
Daniel Murphy and John Protheroe were charged with having at North West Bay committed together an unnatural offence. Protheroe was acquitted, and the prisoner Daniel Murphy was found guilty. Judgment of death without the slightest hope of mercy was then passed upon Murphy.

Source:SUPREME COURT. (1857, July 28 and 29). The Courier (Hobart, Tas.), p.3.
Link: https://nla.gov.au/nla.news-article2460302

1857: Supreme Court records



Link: https://libraries.tas.gov.au/Digital/SC32-1-7/SC32-1-7_0196



June 16, 1857, tried SC Hobart
Daniel Murphy Sodomy Guilty commuted to Life imprisonment
John Protheroe Sodomy Not Guilty

Murphy, Daniel
Record Type: Court
Status: Probation
Trial date: 28 Jul 1857
Place of trial: Hobart town
Offense: Buggery
Verdict: Guilty
Prosecutions Project ID: 99772
Record ID: NAME_INDEXES:1502562
Link:https://libraries.tas.gov.au/Digital/AB693-1-1/AB693-1-1_037


Fellow offender John Protheroe
John Protheroe, 29 yrs old, Protestant, single, literate and a lime burner, was transported 7 years for housebreaking, arrived Hobart, VDL per the Joseph Somes 1 on 28 May 1846.



"Tried Hobart Town S.C. 28 July 1857 Bxxxxxxy. Acquitted."
Link: https://libraries.tas.gov.au/Digital/CON33-1-77/CON33-1-77P168

1875, discharged and photographed
Government contractor T. J. Nevin photographed Daniel Murphy at the Hobart Gaol in the last week of January 1875 on Murphy's discharge. Although a small number of extant cdv's of Tasmanian "convicts" in public collections have yet to be indentified, John Protheroe's would not be among them. He was acquitted of the charge of sodomy, detained but not imprisoned.



Source: Tasmania Reports of Crime for Police (weekly police gazettes), J. Barnard Gov't printer

1875: Ticket-of-Leave with Peter Killeen
The unmounted reprint from Thomas J. Nevin's glass negative taken at his one and only sitting with prisoner Daniel Murphy was created by John Watt Beattie in the late 1890s to early 1900s for inclusion in his 1916 catalogue of convictaria. He arranged the negative prints on cardboard panels in three rows , and housed the cdv's in family albums by name in alphabetical order.  They were offered for sale during the tourism boom of the 1920s at his "Port Arthur Museum" located at 51 Murray St. Hobart (Tasmania) and at the Royal Hotel, George St, Sydney (NSW) in conjunction with convictaria exhibited on the fake prison ship Success (1900s-1916). 



Left: Print from the original glass plate negative taken by T. J. Nevin 1870s
Offered for sale by J. W. Beattie ca. 1916
QVMAG Collection: Ref : 1983_p_0163-0176

Right: Prisoner MURPHY, Daniel per Gazelle
Photographer: Thomas J. Nevin
Taken at the Hobart Gaol, Tasmania January 1875
This copy was first deposited at the QVMAG in the 1930s and numbered verso "204"
Numbered recto "152" in 1983 when removed for exhibition at Port Arthur.
Now held at the TMAG Ref: Q15605

Daniel Murphy and Peter Killeen were both photographed and by Thomas J. Nevin on discharge from the Hobart Gaol with a T.L. (Ticket of Leave) during the week ending 20th January 1875:



TRANSCRIPT
TICKETS-OF-LEAVE
The Governor in Council approves of the Prisoners named hereunder being discharged on Tickets-of-Leave: -
Murphy, Daniel per Gazelle
Killeen, Peter. per M.A. Watson



Left: Mugshot of prisoner Peter Killeen
Print from the original glass plate negative taken by T. J. Nevin 1870s
Offered for sale by J. W. Beattie ca. 1916
QVMAG Collection: Ref : 1983_p_0163-0176

Right: NLA Catalogue (incorrect information)
Peter Killern [sic], per M.A. Watson, taken at Port Arthur, 1874
Part of collection: Convict portraits, Port Arthur, 1874.
Gunson Collection file 203/7/54.

1875- 1894: Daniel Murphy's records

1875: absconding at Cascades
In September 1875, Daniel Murphy was admitted to the Cascades Invalid Depot, Launceston, discharged on 10 December, able to work. He was admitted again in July 1877 and June 1878 when he absconded.



1877-1878: admitted and discharged Cascades, Hobart



1879, January: discharged Cascades, Hobart



1885, March-September: discharged to police



Daniel Murphy was admitted to the New Town Charitable Institution in March 1885 and released to police in September 1885. He died at New Town in 1894, of senile decay, 75 yrs old.

1894, August 31: death at New Town Charitable Institution



Death of Daniel Murphy 31 August 1894 at New Town  of senile decay, 75 yrs old.
Link: https://libraries.tas.gov.au/Record/NamesIndex/1140244

T. J. Nevin's mugshots at 20th century exhibitions
Thomas J. Nevin's photograph of prisoner Daniel MURPHY (1875) was repeatedly exhibited from the early 1900s to the early 2000s along with dozens of similar 1870s mugshots held in national public collections. Catalogued as "convict portraits" and curated as aesthetic items on gallery walls for the middle-class gaze as the 20th century progressed, the first and by far the most significant "curator" was John Watt Beattie at his "Port Arthur Museum" located at 51 Murray Street, Hobart, where he advertised reprints of the originals for sale in his 1916 Catalogue.

1916: John Watt Beattie's catalogue



Daniel Murphy, bottom row, third from right.



One of forty(40) prints of 1870s Tasmania prisoners in three panels
Prints from the original glass negatives taken by T. J. Nevin 1870s
Reprinted and offered for sale by J. W. Beattie ca. 1916
QVMAG Collection: Ref : 1983_p_0163-0176

1977: the QVMAG Exhibition
This copy of the cdv on a buff mount produced by Thomas J. Nevin was one of at least four duplicates he made for police and prison records in the 1870s. One was pasted to the prisoner's rap sheet, one was pasted into the Municipal Police Office central registry's Photo Books, and the remaining were forwarded to regional police stations wherever the prisoner was assigned employment. The verso of this copy was inscribed by Beattie in the early 1900s with the number "204", the name of the prisoner, the ship on which he was transported and the factually incorrect phrase "Taken at Port Arthur 1874" in the interest of tourism to the heritage site's ruins.

An exhibition of these 1870s prisoner photographs by T. J. Nevin was held at the QVMAG in 1977, curated by John McPhee and Special Collections Librarian (Tas) Geoff Stilwell.



Prisoner MURPHY, Daniel per Gazelle
Photographer: Thomas J. Nevin
Taken at the Hobart Gaol, Tasmania January 1875
This copy was first deposited at the QVMAG in the 1930s and numbered verso "204"
Numbered recto "152" in 1983 when removed for exhibition at Port Arthur.
Now held at the TMAG Ref: Q15605



Verso:Prisoner MURPHY, Daniel per Gazelle
Photographer: Thomas J. Nevin
Taken at the Hobart Gaol, Tasmania January 1875
This copy was first deposited at the QVMAG in the 1930s and numbered verso "204"
Numbered recto "152" in 1983 when removed for exhibition at Port Arthur.
Now held at the TMAG Ref: Q15605

PRESS NOTICE

TRANSCRIPT

CONVICT photos at Launceston
HISTORIC photographs showing convicts at Port Arthur in 1874 will be exhibited at the Queen Victoria Museum and Art Gallery at Launceston from tomorrow to May 2.
The work of T. J. Nevin, the photos are being shown at Launceston for the first time.
Many of the men shown in the pictures had been transported to Port Arthur as young boys 40 years earlier.
The curator of fine art at the museum, Mr. John McPhee, said yesterday that the photos had "a quality far beyond that of records".
"Just once rascally, occasionally noble, always pathetic, these photographs are among the most moving and powerful images of the human condition," he said.

Source: Convict photos at Launceston, Mercury, 10th March 1977

1983: Port Arthur Heritage site exhibition
At least fifty of these prisoner photographs from the 1870s which were originally held in the QVMAG collection were removed in 1983 for an exhibition at the Port Arthur heritage site and not returned, deposited instead at the Tasmanian Museum and Art Gallery, Hobart. Those missing on the QVMAG inventory list were inscribed with a pencilled number to keep track of them when they were physically removed from the QVMAG by the exhibitors. Only 72 cdvs of the much larger acquisition from Beattie's estate in the 1930s are now extant at the Queen Victoria Museum and Art Gallery, Launceston.



Prisoner MURPHY, Daniel per Gazelle
Photographer: Thomas J. Nevin
Taken at the Hobart Gaol, Tasmania January 1875
This copy was first deposited at the QVMAG in the 1930s and numbered verso "204"
Numbered recto "152" in 1983 when removed for exhibition at Port Arthur.
Now held at the TMAG Ref: Q15605

This numbered inventory devised in the 1980s of the collection of 1870s Tasmanian mugshots originally acquired by the Queen Victoria Museum and Art Gallery, Launceston from the estate of photographer and convictarian John Watt Beattie shows that the number "152" in pencil underneath Murphy's image on the mount was physically missing from the QVMAG holdings. It was removed for exhibition at the Port Arthur Development Project in the 1980s along with another 120 or so; only 72 of those listed from 1-200 remained. Those that were removed were sent to the National Library of Australia, Canberra; the Tasmanian Museum and Art Gallery, Hobart; the Archives Office of Tasmania, Hobart; and the Port Arthur Historic Site, Tasman Peninsula. This dissemination of copies was intended to augment national and state collections and for travelling exhibitions.



The mounted cdv photograph of Daniel Murphy, numbered "152" is shown here (pencilled) as missing from the 1980s inventory of Beattie's collection of convict mugshots at the QVMAG. Those 50 os so that were instead deposited at the TMAG from the 1983 Port Arthur exhibition were then used to re-assign Thomas J. Nevin's photographer attribution to a public official, superintendent of the Port Arthur prison, A. H. Boyd, not a photographer in any genre or sense of the word, at the whim and fancy of his descendants. This fabrication then led to confusion if not downright suspicion of deliberate fakery of a photographer attribution to talk up the significance of Port Arthur as Tasmania's premier tourist attraction.

2000: National Portrait Gallery
The Tasmanian Museum and Art Gallery constructed four wooden-framed collages under glass from their collection of Thomas Nevin's prisoner mugshots for an exhibition titled Mirror with a Memory at the National Portrait Gallery, Canberra, in 2000. Daniel Murphy's image was placed top row, centre in this frame. However, for reasons best described as blind-sided, the TMAG staff who chose these mugshots sent the four frames to Canberra, five cdvs in the first, six per frame in the other three, with labels on the back of each wooden frame stating quite clearly that the photographs were attributed to A. H. Boyd, the much despised Commandant of the Port Arthur prison who was not a photographer by any definition of the term, nor an engineer despite any pretension on his part and especially despite the social pretensions of his descendants who began circulating the photographer attribution as a rumour in the 1980s to compensate no doubt for Boyd's vile reputation.



Names as they appear on the back of the wooden frame:
Top, from left to right: John White, Daniel Murphy, James Harrison
Bottom from left to right: Daniel Davis, George Willis, James Martin
Photos recto and verso copyright © KLW NFC Imprint 2014-2015
Taken at the Tasmanian Museum and Art Gallery, 10 November 2014


RELATED POSTS main weblog

Beware AI generated images of your criminal ancestors!

Eugenicist Hamish Maxwell-Stewart's AI fake photographs of 19th century Tasmanian convicts
Breaches of Moral Rights and Copyright of heritage property using AI generated data
Thomas J. Nevin's real photographs/mugshots of Tasmanian prisoners taken in the 1870s-1880s.



Source of talk at the National Family History Month - Opening Ceremony
- https://www.youtube.com/watch?v=av_9D3mZ3wQ
- https://youtu.be/av_9D3mZ3wQ?feature=shared
Topic: Artificial Intelligence

Pretty Cartoons
Why would you accept an AI generated image of your deceased family member which was made from data taken from various unrelated photographic and non-photographic sources when you may already possess a real photograph of that person or their immediate descendant? Then don't. Protest about this to the National Trust of Tasmania, to the Australian Research Council and the Australian Copyright Council.

No extent of warnings that the images created are FAKE will ever account for Hamish Maxwell-Stewart's waste of public research money in this, his latest attempt at messing up the digital environment with FAKE images of your deceased family members which he has assigned to YOUR REAL FAMILY NAMES. These images are FICTIONS playing with eugenics and phrenology all over again, this time with a new toy called ChatGPT. The resultant image of YOUR CONVICT is a pretty cartoon akin to the coloured drawings created by Simon Barnard's representation of convicts in his illustrated book Convict tattoos : marked men and women of Australia, (Melbourne, Vic. The Text Publishing Company, 2016.) Website: https://www.simonbarnard.com.au/product/convict-tattoos/

In a new exhibition assisted by Andrew Redfern called UNSHACKLED (2023) proposed for the National Trust at the old Penitentiary, Hobart Gaol, Campbell Street, Maxwell-Stewart wants you to believe this nonsensical indulgence is worthwhile. No it isn't. It's a waste of time and money, with no authentic historical merit and no apology for any distress he is causing to bearers of those family names. Maxwell-Stewart has created FAKE images of 19th Tasmanian prisoners to show YOU what your ancestor MIGHT have looked like, subsuming in the process those real photographs already extant in Australian public collections, correctly attributed to government contractor Thomas J. Nevin taken in the 1870s, and now building on a previous mess of FAKE and homogenised "Port Arthur offenders" images of 1870s prisoners that Maxwell-Stewart and Godfrey developed for an earlier exhibition held there at the Old Penitentiary in 2019.

The field called criminal anthropology (to which this project affects an affiliation) long ago discredited Lombroso's stereotype, the "criminal type", with Goring's study published in 1913 of  statistics gathered from 3000 prisoners in British prisons over a ten year-period:


Dr. Charles Goring, Deputy Medical Officer of H. M. Prison, London, in the Most Important Contribution of Recent Years to Criminology Upsets Accepted Theories Through Statistics Gathered from 3,000 Convicts.



"THERE IS NO CRIMINAL TYPE," SAYS PRISON EXPERT
THE NEW YORK TIMES
November 2, 1913, Sunday Section: Magazine Section, Page SM13, 4250 words
THE 'criminal type' is an anthropological monster. There is no such thing as a criminal type.' In other words, the criminal is a normal person, not markedly different from the rest of humanity who have managed to keep out of prison. In other words, there are in ministers and Cambridge undergraduates and college professors the making of pickpockets and thieves, as well as murderers and forgers...
Read about the REAL photographs of Tasmanian prisoners ("convicts" in tourism discourse) taken by government contractor Thomas J. NEVIN in the 1870s-1880:

- https://tasmanianphotographer.blogspot.com/2008/07/the-parkhurst-prisoners-anthropometry.html
- https://tasmanianphotographer.blogspot.com/2019/07/exhibition-2019-t-j-nevins-mugshot-of.html.
- https://prisonerpics.blogspot.com/.
- https://thomasnevin.com/category/19th-century-prison-photography/

Clip: Beware AI generated images of your criminal ancestors! #1



Clip uploaded to Thomas Nevin's Youtube channel:
- https://www.youtube.com/@klwnfcgroup/featured
- https://youtu.be/av_9D3mZ3wQ?si=-3Hmzr1syfiYEB5k

Note here Maxwell-Stewart's assumption that his gratuitous act of using the NAMES and photographic records of REAL people and their families to attach to his AI generated FANTASY IMAGES of their ancestors is perfectly fine. It is not. He is breaching their moral rights and their copyright.

TRANSCRIPT
0:00 so I wanted to quickly say a little bit
0:02 about how we're generating those images
0:03 so the the AI takes the physical
0:06 description from the record the age of
0:09 the prisoner and where they're born and
0:11 it matches them to 19th century prison
0:14 and other photographs that we've
0:17 harvested online now again as we get
0:20 better at this what I want to do is to
0:23 create our own
0:25 um resource of images
0:28 um so that we can fine-tune this
0:31 experience but the images of individual
0:34 convicts have been created by merging
0:36 multiple photographs which share
0:38 characteristics
with their record
0:41 and the faces that have been generated
0:43 are really quite striking so this is um
0:46 one we generated for William Allen and
0:48 again this is almost certainly not what
0:50 William Allen would have looked like
but
0:52 I think it's it's best seen as the AI's
0:54 best guess at what he might have looked
0:56 like
0:58 and this allows us to um you know we're
1:01 playing around with slogans now for this
1:03 experience
1:11 and we can also do this so this is
1:13 Michael Heath who's one of our amazing
1:16 volunteers there are about 40 volunteers
1:19 who just pump data into various um
1:22 projects that digital history Tasmania
1:24 is focusing on
1:26 um Michael like many of you are the
1:27 volunteers who who spend time with with
1:30 DHT
1:32 um is a descendant of a convict and so
1:34 we fed his photograph into the AI and
1:37 this is the the image that the AI came
1:40 up with for his
1:42 convict ancestor and I think this gives
1:45 you an indication of how we can we can
1:47 get better at this image Generation by
1:49 seeding more and more photographs in we
1:52 want to use the photographs that James [sic - John]
1:55 Watt Beattie took uh Tasmanians in the
1:58 1890s because we'll know a lot about
2:01 their descent to fine-tune this process
2:04 um even further
2:07 and here you can see a whole lot more of
2:10 these and we're hoping that that this
2:13 the AI will provide a new way for
2:16 visitors to Hobart to engage with the
2:19 convict past and to actually understand
2:21 the work that family historians and
2:23 academic historians have done ...
Source: Beware AI generated images of your criminal ancestors! #1
Thomas J. Nevin: https://youtu.be/av_9D3mZ3wQ?si=-3Hmzr1syfiYEB5k

What is the point of this expensive project, apart from Maxwell-Stewart's personal motivation to prolong his academic career in the space of penal history? Attendees at this talk expressed strong misgivings that the CREATED IMAGES of their ancestors, using both mugshots and family photographs, will not be fully understood as AI FICTIONS when viewed and copied. These are some of their questions and responses from Maxwell-Stewart and Andrew Redfern:



Clip: Beware AI generated images of your criminal ancestors! #2
https://youtu.be/yhiCaXMadqk?si=3FGNzVZWBDVhjALp

TRANSCRIPT
0:01 uh where there are known photographs of
0:04 convicts I have one of a convict as an
0:06 older man could these be compared with
0:09 an AI generated image to test the
0:12 accuracy
0:15 um yes so one of the things that AI can
0:17 do is unage a photograph
0:20 and so
0:22 um yeah that's I think great potential
0:25 for using photographs taken at different
0:27 stages in life to try and reconstruct
0:31 what somebody might have looked like at
0:32 a younger age
0:35 and I think your example to Hamish of
0:37 the um your volunteer that you uploaded
0:40 his photo and then generated the
0:42 ancestor I think that's a great example
0:44 of that as well where the the two yes it
0:47 can sort of take Modern Images or other
0:49 images and then cross-reference and
0:51 correlate
0:54 and there's a great line in in the chat
0:56 as well for Maureen about
0:58 um how do we prevent these being passed
1:00 ff as the real images online and I mean
1:02 I think that's a that is a huge danger
1:04 and so as a community I think that we
1:06 have to construct guidelines for the use
1:10 of all of this
1:11 um you know when the penitentiary
1:14 experience on Chapel goes live we need
1:16 to have a
1:17 um a statement about how these images
1:19 were created and they're not what the
1:22 individual would have looked like but
1:24 it's using the best tools in order to
1:27 try and imagine what they might have
1:28 looked like
1:30 um and there's a a an interesting little
1:34 line from Michelle there as well which
1:36 um I totally agree with and we we tend
1:38 to We tend to there's a danger of
1:40 thinking that particularly paintings or
1:43 newspaper images of convicts that were
1:46 done at the time are the Real McCoy
1:49 whereas of course they are often very
1:52 strongly influenced by people's um
1:55 attitudes towards um convicts or people
1:58 of various classes or in different
1:59 people of different Sexes and so you
2:02 know using the originals doesn't
2:04 necessarily get us out of the minefield
2:07 hmm and Fran has also asked will the
2:11 images be marked saying that they're
2:13 produced by AI
I guess that is related
2:17 to what tool you're using
2:19 yes most definitely we will
2:24 um yes and um that's been
2:27 um we're certainly working going back
2:31 now and doing any images that we've uh
2:33 generated through the Ironclad
2:34 Sisterhood project we're going to
2:36 explicitly have I mean it says it on the
2:38 web page that they're AI but we're
2:40 actually going to put it on each
2:41 individual photo
as well so that if they
2:44 do get copied uh which I'm sure we've
2:47 all had that happen with you know people
2:49 copying things in online trees that at
2:52 least hopefully that will alert others
2:56 that they
2:57 um artificially intelligent intelligence
3:00 generated images
3:02 hmm
Youtube and transcript source:
Beware AI generated images of your criminal ancestors! #2
https://youtu.be/yhiCaXMadqk?si=3FGNzVZWBDVhjALp

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The Poulter album: "Weekly Courier" reprints 1900s of 1870s photographs by T. J. Nevin

Reprints 1900s of 1870s Tasmanian photographs
R. C. Poulter's tourist's album 1900s
The Weekly Courier Tasmania's Premier Pictorial (1900-1907)



Page on left from an Album of photographs of Tasmania compiled by R. C. Poulter ca. 1901-1907
Source: Allport Library and Museum of Fine Arts, State Library of Tasmania.
Link: https://stors.tas.gov.au/ILS/SD_ILS-1173205

On page at left, these five black and white reprints of original mugshots of Tasmanian prisoners (aka "convicts" in tourism discourse), taken by government contractor T. J. Nevin for police at the Hobart Gaol in the 1870s, are held in an album of photographs accessioned in the owner's name inscribed on verso of cover - "R. C. Poulter" - at the State Library of Tasmania.

Each of these items in Poulter's album is a cropped black & white copy of the full sepia photograph, some uncut but mostly set in a buff carte-de-visite mount, that were originally acquired by the Queen Victoria Museum and Art Gallery, Launceston in the 1930s from collector John Watt Beattie's estate. Beattie had salvaged a bundle of the originals in the early 1900s from the Sheriff's Office and the old photographer's room at the Hobart Gaol, Campbell Street, Hobart. Together with another fifty or so similar cdvs of 1870s prisoners, these five cdvs were removed from the QVMAG for an exhibition at the Port Arthur Historic Site in 1983, at the conclusion of which they were not returned to the QVMAG, deposited instead at the Tasmania Museum and Art Gallery, Hobart, where they remain today. Copies also held in Hobart were made at various points in the 20th century for book publications and exhibitions by the Tasmanian Archives Office.

Given that the owner and compiler of this album, R. C. Poulter, arrived in Tasmania ca. 1901 and died in 1908, he may have sourced these reprints from John Watt Beattie's "Port Arthur Museum" at 51 Murray Street, Hobart, in the first decade of the 20th century Hobart. Beattie's vast collection of convictaria which included two hundred and more of these 1870s police mugshots was acquired by the QVMAG on his death in 1930. The cdv's were numbered verso and inscribed with the name of the prisoner, the ship on which he arrived in Tasmania, and with the addition of the generic note -"Taken at Port Arthur, 1874" - in many cases, purely to attract intercolonial and interstate tourism to the ruins of the Port Arthur penitentiary on the Tasman Peninsula when neither the date - "1874" - nor location - "Port Arthur" - factually reflected the place, date and circumstances under which each prisoner was photographed. These prisoners were photographed by Thomas J. Nevin at the Hobart Gaol and Mayor's Court, Hobart Town Hall, on incarceration and discharge for use in court, police and prison administration.

Numbers: each of these mugshots was missing from the list held in the Beattie Collection at the QVMAG when it was complied ca. 1990 and received here at this weblog in 2005. The full list is posted in this article about prisoner Cornelius Gleeson.

THE MUGSHOTS

1. Top line on right: No. 43. Jas Smith per "John Calvin"

James Smith was an alias used by Thomas Archer. After his arrival in Van Diemen's Land in September 1846, and at the termination of his initial sentence of ten years, Thomas Archer as Smith was regularly incarcerated for periods of eight or ten years for burglary and larceny. Police gazette records document his trials and sentences between 1855 and 1884.

Convict James Smith photo by T J Nevin

Prisoner: Thomas ARCHER alias Thomas SMITH or James SMITH
Photographer: Thomas J. Nevin, July 1875
Location: Hobart House of Corrections (Hobart Gaol)
TMAG Ref: Q15583

The following information is from this record -
"Nominal Return of all Prisoners whether under Remand or Sentence, in the Gaol and House of Correction for Males at Hobart Town, on the 8th December 1874 (page 7) is from (No.49) 1875. TASMANIA. HOUSE OF ASSEMBLY. PENAL DISCIPLINE. REPORT OF COMMISSION. Laid upon the Table by the Attorney-General, and ordered by the House to be printed, August 10, 1875. List of offences of male prisoners, Hobart Gaol, December 1874: Superior Courts."

Age: 70
Offence for which imprisoned: Perjury
Date of Sentence: 1.12.74
Extent of sentence: 12 months
How employed on 8th December 1874: Awaiting Sheriff's instructions as to disposal
Remarks as to Character: Good

No. 43 is missing from the QVMAG list posted here in 2005: QVMAG ref: no number
Held at the TMAG scanned for this weblog in 2015, TMAG ref: Q15583
Reprint held at the State Library of Tasmania, TAHO ref: 30/3256
Read more about Thomas Archer as James Smith in this post here


2. Middle line on left: No. 60. Wm Ryan per "City of Hobart"

William Ryan had not long arrived in Tasmania when he was tried for uttering a forged cheque at Launceston on 29th December 1868 and sentenced to two years' imprisonment. Within months of discharge, he was arrested and sentenced at the Hobart Supreme Court to ten years' imprisonment for uttering forged cheques. The newspapers of the day took pleasure in reporting the ingenuity of the police in catching him, and the antics of the prisoner in the dock at the Police Court before His Worship the Mayor.

Convict Wm Ryan photo by T J Nevin

Prisoner William Ryan
Photographed by T. J. Nevin 1874
TMAG Collection Ref: Q15576

No. 60 is missing from QVMAG list posted here in 2005: QVMAG no reference
Held at the TMAG scanned for this weblog in 2015, TMAG Ref: Q15576
Reprint held at the State Library of Tasmania, TAHO Ref: PH30_1_3262
NB: This photograph held at the TMAG is inscribed verso with the photographer's name " NEVIN, T. J. 1874, the number "60" which also appears on recto, and "248" William Ryan per City of Hobart...."
Read more about Wm Ryan here


3. Middle line on right: No. 27. Cornelius Hester per "Equestrian"

PRESS Report Cornwall Chronicle- 29 Oct 1870:
Cornelius Hester, who pleaded guilty on Thursday to stealing goods in a dwelling house at Longford, called on Dr Lewis to speak for him.
Dr. Lewis said that Hester had been suffering from disease of the heart when at Port Arthur.
His Honor reviewed the past career of the prisoner and sentenced him to five years' imprisonment.

Convict Cornelius Hester photo by T J Nevin

Prisoner HESTER, Cornelius
Photographed on discharge at Hobart (not Port Arthur) October 1874
Photographer: Thomas J. Nevin, government contractor, Hobart, Tasmania
TMAG Ref: Q15581

Summary of trials after arrival in Tasmania:
Trial Id 582695
CORNELIUS HESTER MALE HOUSEBREAKING 1876-01-06 S. C. LAUNCESTON 10 YRS.
Trial Id 598135
CORNELIUS HESTER MALE LARCENY 1888-01-03 DELORAINE 1 MTH
Trial Id 601137
CORNELIUS HESTER MALE HOUSEBREAKING 1876-01-06 S. C. LAUNCESTON 10 YRS.
Trial Id 605875
CORNELIUS HESTER MALE LARCENY 1888-01-07 DELORAINE 1 MONTH
Trial Id 618722
CORNELIUS HESTER MALE ABSCONDING 1865-11-01 HOBART 5 YEARS
Trial Id 620427
CORNELIUS HESTER MALE LARCENY IN A DWELLING 1870-10-20 S. C. LAUNCESTON 5 YEARS
Trial Id 99704
CORNELIUS HESTER MALE LARCENY 1857-04-15 GUILTY 2 YEARS
Trial Id 112331
CORNELIUS HESTER MALE LARCENY IN A DWELLING HOUSE 1870-09-29 GUILTY 5 YEARS
Source: The Prosecution Project Search Results (griffith.edu.au)

No. 27 is missing from QVMAG list posted here in 2005: QVMAG no reference
Held at the TMAG scanned for this weblog in 2015, TMAG Ref: Q15581
Reprint held at the State Library of Tasmania, TAHO Ref: ?
Read more about Cornelius Hester in this post here


4. Bottom line on left: No. 183. James Martin per "Ld. Ptre"

James Martin was convicted at the Barbados Court Martial, transported for 14 years, departing on the Lord Petre on 3 July 1843, arriving at Hobart, Van Diemen's Land, on 15th October 1843 in the company of 237 other convicts.  A Catholic deserter from the army, he re-offended in every decade following, dying in 1892 while still under sentence at the Hobart Gaol.

Convict James Martin photo by T J Nevin

Prisoner James MARTIN
Photographed on 24th October 1874 at the H.M. Goal, Hobart
Photographer: Thomas J. Nevin
Numbered "183" on recto in 1983
Numbered "224" on verso in 1915
Tasmanian Museum and Art Gallery:
TMAG Ref: Q15614

The following information is from this record -
"Nominal Return of all Prisoners whether under Remand or Sentence, in the Gaol and House of Correction for Males at Hobart Town, on the 8th December 1874 (page 7) is from (No.49) 1875. TASMANIA. HOUSE OF ASSEMBLY. PENAL DISCIPLINE. REPORT OF COMMISSION. Laid upon the Table by the Attorney-General, and ordered by the House to be printed, August 10, 1875. List of offences of male prisoners, Hobart Gaol, December 1874: Superior Courts."

Age: 56
Offence for which imprisoned: breaking and entering
Date of Sentence: 24.10.6
Extent of sentence: 10 years
How employed on 8th December 1874: Whitewashing
Remarks as to Character: Very good

No. 183 is missing from QVMAG list posted here in 2005: QVMAG no reference
Held at the TMAG scanned for this weblog in 2015, TMAG Ref: Q15614
Reprint held at the State Library of Tasmania, TAHO Ref:PH30/1/2023
Read more about James Martin in this post here


5. Bottom line on right: No. 6. Wm Sewell per "Siam"

PRESS REPORT Mercury - 19 Sept 1867:
CHARGE OF BURGLARY AGAINST TWO SOLDIERS AND THREE YOUNG GIRLS.-William Sewell and Ralph Neill, private soldiers of H.M. 2-14th Regiment, and three young native girls, Emma Farrell, Margaret Graham, and Jane Manning, were placed in the dock on a charge of burglary at the licensed house of Sarah Harris, Watchorn-street, at two o'clock this morning, and stealing therein seven bottles of champagne cider, value 1s. a bottle, and two print dresses.
The female prisoners in this case also made light of their position; the soldiers are the same men who were charged at a recent session of the Supreme Court, and acquitted, on a charge of burglary at the Mr. Mattheson's public house, Old Wharf.
The Stipendiary Magistrate told the girls there was nothing to laugh at; they ought to be ashamed of themselves to be in such a position, and probably they would, some day, be made to laugh the other side of their mouths. At the instance of the detective the prisoners were remanded until Friday.
William Sewell and Ralph Neill were both sentenced to 10 years at the Criminal Court, Hobart, in November 1867 for the burglary of seven bottles of champagne cider and two print dresses from Sarah Harris, licensee of the Royal Oak Inn, Watchorn St. Hobart.

Convict Wm Sewell photo by T J Nevin

Prisoner William SEWELL photographed in October 1873 at the Hobart Gaol
Photographer: Thomas J. Nevin
TMAG Ref: Q15573

The following information is from this record -
"1870 Tasmania. Convicts. Paupers and Lunatics at Port Arthur. Return to an Order of the House dated 8th September 1870 (Mr. C. Meredith)Laid upon the Table by the Colonial Treasurer, and ordered by the House to be printed October 13, 1870."
Source: https://www.parliament.tas.gov.au/tpl/PPWeb/1870/HA1870pp128.pdf

CONVICTS - (Colonial Funds)
Name: Sewell, William
Ship: Siam
Age to 1870: 29
Sentence: 10 yrs. impt.

No. 6 is missing from QVMAG list posted here in 2005: QVMAG no reference?
Held at the TMAG scanned for this weblog in 2015, TMAG Ref: Q15573
Reprint held at the State Library of Tasmania, TAHO Ref: no reference?
Read more about William Sewell in this post here

Other photographs by T. J. Nevin in Poulter's album, ca. 1901- 1908
The photographs in this album certainly belonged to Reginald Clifford Poulter by the time he compiled the album in the early 1900s, but none were taken by him, none are personal portraits of him or his family, and none are attributed to the original photographers, with the exception of one featuring the government photographer John Watt Beattie.

Although several date from the early 1860s, very few are "real" photographs originating from the era in which they were produced. The majority are reprints which Poulter sourced from tourist destinations such as John Watt Beattie's shop, photographic studio and convictaria museum in Murray Street, Hobart (and not at Port Arthur). Poulter's other source was the Hobart Weekly Courier which published a Pictorial edition on Saturdays featuring beautifully reproduced photographs of contemporary events by living photographers. To save space, the Weekly Courier cropped each photograph to fit as many as possible on each page, only crediting their contracted studios, called their "Representatives" such as Beattie's, or Spurling's & Son, or Harvey and Sutcliffe's, at the bottom of each page.

Those photographs which Poulter cut from the Weekly Courier and pasted into his album were clearly already cropped of their cdv frame and mount and any accompanying photographer attribution. Instead, on each page of Poulter's album there are pencilled inscriptions next to each  item giving information about the content or subject of each photograph and no more, written by an anonymous hand.

Shortly before Poulter's death in England in 1908, perhaps even after his death, the album somehow arrived at the newspaper offices of the Examiner, publisher of the Weekly Courier (1901-1935) in Launceston, Tasmania. The album may well contain photographs collected on Poulter's travels but he was not the photographer. Nor, it would seem, did the Weekly Courier publish his photographs in this album after his death, or at all, which is inferred by the SLTAS catalogue note (see below) since the Weekly Courier had already published them. Poulter - or indeed his wife Evangeline Watson whom he married at Longford in Tasmania in February 1901 - had cut and pasted many of these photographs during the first decade of the 1900s from Weekly Courier Pictorial issues while visitingTasmania.

Poulter album Tas photos

Apart from the paper reprints pasted in this album of T. J. Nevin's prisoner mugshots taken for official police records in the 1870s, Poulter included several reprints of Thomas Nevin's commercially produced landscapes in stereograph and cdv format, all invariably without their original mounts which otherwise would show at the edges if printed from the originals, and all without a photographer attribution. Of interest on these  pages in the album are photographs taken of St. Mary's Cathedral before and after the tower was removed, (above) as well as reprints of Nevin's (and Clifford's) 1870s photographs taken from Lime Kiln Hill of panoramic views of Hobart from south to north (above and below).



Title: Album of photographs of Tasmania / [compiled by] R. C. Poulter.
Production: [Tasmania?] : R.C. Poulter, [between 1860 and 1920]
Physical description: Approximately 200 photographic prints in 1 album, with 68 unnumbered pages : black and white, chiefly silver albumen ; in album 375 x 290 mm, boards 364 x 263 mm.
Binding: Full leather binding, covers in brown, corners and spine in red, with gold stripe detail.
Medium: paper; silver albumen; positive
Format: album photograph image (online)
Source note: Title devised by cataloguer based on contents; 'R.C Poulter' inscribed inside front cover.
Accession number: FA1304
Notes: Title assigned by cataloguer.
History note: Reginald Clifford Poulter was born in Bath, Somerset, England, in 1847. By 1901, Poulter had found his way to Tasmania and married Evangeline Watson. The couple travelled to Melbourne on the Coogee on 25 March and departed Sydney for Honolulu on the Souoma via Auckland on 9 May 1901. They returned to Melbourne on 18 December 1905 per Grosser Kurfurst. Poulter sent photos of his travels to the Weekly Courier between 1904-1907, and his death at his home in Dorking, Surry (England) was reported in the Examiner on 2/9/1908.--Acquisition notes.
Link:https://stors.tas.gov.au/ILS/SD_ILS-1173205

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