Prisoner John APPLEBY 1873

PRISONER JOHN APPLEBY Tasmanian mugshots 1870s
PETITIONS DECLINED
FAKE HISTORY EXHIBITIONS 1900s

Prisoner John Appleby, Hobart Gaol, Tasmania
Photographed by Thomas J. Nevin, September 1873
NB: The catalogue entry title was devised by the NLA from the verso inscription.
NB: The number "84" is missing from this catalogue entry.

National Library of Australia catalogue
"John Appleby, per Candahar, taken at Port Arthur, 1874"
Call Number PIC Album 935 #P1029/51
Created/Published 1874
Extent 1 photograph on carte-de-visite mount : albumen ; 9.4 x 5.6 cm., on mount 10.4 x 6.4 cm.

The verso (below) of this carte-de-visite of John Appleby held at the NLA is numbered "84" which was the number assigned to the copy made in the 1900s by John Watt Beattie from the glass negative of Thomas Nevin's original capture taken at the Hobart Gaol in 1873 where Appleby was transferred from the Port Arthur prison after his petition to the Governor was declined.

The inscription 'Taken at Port Arthur 1874" is Beattie's confabulation of facts in the name of tourism. Beattie prepared copies of these prisoner cdv's for display in his collection of Tasmanian convictaria at his "Port Arthur Museum" located at 51 Murray St. Hobart (and not at Port Arthur) to coincide with the first of two early 20th century film adaptations (1908-9, 22 minutes - see theatre poster below; the second was filmed at Port Arthur in 1927) of Marcus Clarke's popular fiction For The Term of His Natural Life which appeared as a serial in 1870 and in novel form in 1874. Hence the date "1874" and the place "Taken at Port Arthur" written on the verso of this cdv when the actual date and the actual place of photographic capture were respectively 1873 and the Hobart Gaol in Campbell Street. Beattie fabricated this fake history for several dozen original mugshots taken in the 1870s by government contractor T. J. Nevin because he was required under the terms of his own commission as government contractor (from ca. 1900) to market photographic imagery of Tasmania's penal heritage to the intercolonial tourist. The loose cdv's such as this one of prisoner John Appleby were prepared for sale and exhibition at Sydney's Royal Hotel in 1915 to be displayed as Port Arthur relics, alongside relics and documents associated with the fake convict hulk Success which visited Hobart, Melbourne, Sydney and Adelaide. The collection of "convict portraits" held at the National Library of Australia Canberra and at the State Library of NSW in the Mitchell Collection are the estrays from these exhibitions. The NLA photographs inscribed verso with "Taken at Port Arthur 1874" were NOT taken at Port Arthur, despite the title devised by the cataloguist at the NLA from the cdv's verso inscription, nor were they taken by the reviled commandant A. H. Boyd. These ahistoric furphies continue to be promulgated by "interpretationists" at the Port Arthur Historic Site theme park who would wish to inveigle their visitors in the same way that Beattie et al deceived visitors to his museum in the 1900s in the name of tourism.

Verso the cdv of John Appleby held at the NLA
Inscription includes the number "84" and the wording "Taken at port Arthur 1874"
Fake history prepared in the 1900s for exhibitions associated with the fake hulk Success
Photo copyright © KLW NFC 2016 ARR

TRANSPORTATION & POLICE RECORDS
John Appleby alias Young was transported to Tasmania on board the Candahar in 1842, sentenced to 15 years for burglary. This record details his age, appearance, marital status, conduct etc on arrival. His occupation was painter and glazier. He was given a conditional pardon in September 1850 (CP), but by 1871 he was incarcerated again, sentenced to six years at the Supreme Court Hobart.

John Appleby per Candahar 1842 record: TAHO REF: CON33-1-23_00004_L

Detail of above: John Appleby per Candahar 1842 record: TAHO REF: CON33-1-23_00004_L

John Appleby, free in service (FS), was tried in the Supreme Court Hobart on 4th July 1871 and sentenced to 6 years for receiving stolen plate. His petition lodged twelve months later, on the 11th June 1872 was declined by the Attorney-General, and on the 20th September 1873 he was transferred to the Hobart Gaol, Campbell St. from the Port Arthur prison where Thomas J. Nevin photographed him on being received. Two years later, on the 13th August 1875, the residue of Appleby's sentence was remitted- see detail of record above, column extreme right - viz:.

The Governor's inf has declined to interfere 11/6/72
Hobart Gaol 20/9/73
Gov. inf. 13/8/75
Residue remitted

From February 1872, when the Attorney-General the Hon. W. R. Giblin commissioned Thomas J. Nevin to undertake the systematic photographing of prisoners, those prisoners whose petitions to the Governor were declined were among the first to be photographed. With the assistance of Frederick Stops, clerk and "right-hand man" to the A-G, Thomas Nevin collaborated on collating information on prisoner records, both visual and written through the 1870s into the mid-1880s.

Source: Tasmania Reports of Crime Information for Police 1871-1875, James Barnard Gov't Printer

John Appleby was photographed again in the fortnight prior to discharge on March 4th, 1875, per regulations laid down in the Victoria and NSW Police Acts 1871-1872, adopted in Tasmania after the visit by Victoria's Solicitor-General in January 1872.

MacMahon and Carroll's ... For the term of his natural life
by Academy of Music (Launceston, Tas.) Date 1909]
Archives Office Tasmania. Link: https://stors.tas.gov.au/AUTAS001128189875j2k

RELATED POSTS at main weblog

BIOGRAPHY: Professional photographer Thomas James Nevin snr (1842-1923) produced large numbers of stereographs and cartes-de-visite within his commercial practice, and prisoner identification photographs on government contract. His career spanned nearly three decades, from the early 1860s to the late 1880s. He was one of the first photographers to work with the police in Australia, along with Charles Nettleton (Victoria) and Frazer Crawford (South Australia). His Tasmanian prisoner mugshots are among the earliest to survive in public collections, viz. the Queen Victoria Museum and Art Gallery, Launceston; the Tasmanian Museum and Art Gallery, Hobart; the Tasmanian Heritage and Archives Office, Hobart; the Port Arthur Historic Site, Tasman Peninsula; the National Library of Australia, Canberra; and the Mitchell Library, State Library of NSW, Sydney. Thomas J. Nevin's stereographs and portraits are held in public and private collections in Australia, New Zealand, the USA, the United Kingdom, the Netherlands, Denmark, France and Switzerland.

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THE MUGSHOTS:Thomas Nevin's extant prisoner identification prints and cartes-de-visite in oval mounts - "mugshots" - were taken between 1871 and 1888. The public collections consists of 350+ estrays from more than 2000 photographs taken of prisoners in Tasmania by Thomas Nevin and his brother Constable John Nevin. The National Library of Australia currently holds 87 photographs, the State Library of NSW holds 13 photographs, the Queen Victoria Museum and Art Gallery holds 112 photographs, the Tasmanian Museum and Art Gallery holds more than 50, and the Archives Office of Tasmania holds 10 originals and 100 or so paper copies of the QVMAG collections. A dozen or so are held in Private Collections.

DISCLAIMER: We have not voluntarily contributed to any publication which supports the misattribution of Nevin’s prisoner/convict photographs (300+ extant) to the non-photographer A.H. Boyd, nor do we condone any attempts by public institutions or private individuals to co-opt the work on these Nevin weblogs to apply the misattribution.

INDIGENOUS NOTICE: lutruwita/Tasmania/Van Diemen's Land (loo-tru-wee-ta) always was, always will be Aboriginal land.

This weblog pays respect to the ancestors and elders past, present, and emerging of the first Australian peoples and acknowledges their continued connection to land, sea and culture as the traditional custodians of this country.

Irish-born Thomas J. Nevin would have been keenly aware that the residence and photographic studio he occupied at No's 138-140 Elizabeth St. Hobart in the 1870s were built on nipaluna, the traditional lands of the palawa people. It is no small irony that today, the very same property, which is renumbered as No. 198 Elizabeth St. Hobart and is occupied by the Tasmanian Aboriginal Centre, has returned to its traditional owners.

Looking east from the corner of Patrick St., the Royal Standard Hotel, 142 Elizabeth St. then T. J. Nevin’s studio and residence, 140-138 Elizabeth St. Hobart, 1870s

We also acknowledge the Gadigal people of the Eora nation as the traditional custodians of the City of Sydney, and the Ngunnawal and Ngambri peoples, the traditional custodians of the Kamberri/Canberra region on whose lands this site is maintained.

PLEASE NOTE: images on this weblog represent deceased people, including Aboriginal and Torres Strait Islander people. Viewing such images may cause sadness and distress.

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